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• We'd do that until we couldn't talk about banal things any more, then we'd pick up our instruments and record into a little cassette player.
• By then we'd already done stuff like "Time Again" and "Wildest Dreams", which were very progressive.
• So we had this cinema that we'd go into at 10 o'clock in the morning, and it was freezing cold; it was in the heart of winter there, really awful.
• Gale said that the story evolved after he found his father's old high school year book and asked himself "Would we have been friends if we'd been at school together?" He considered the realization that parents were once young and also contemplated the idea that people are in charge of their own destinies.
• Mission Specialist Steve Hawley was reported as saying following the abort: "Gee, I thought we'd be a lot higher at MECO (Main Engine Cut-Off)!".
• During his service, he wrote the song "They Didn’t Think We'd Do it, But We Did" with composer Fred Rath and published by the 77th Division.
• We were so bad, a fan accosted us afterwards and told us we were the worst band he'd ever seen, and we'd ruined the night for him and his wife who’d paid £12 for a night out and had seen the dreadful Moody Blues! On the way back in the van, Graeme – who was asleep lying over the equipment at the back – suddenly woke up and said quietly, 'That guy was right.
• "If we did another record like Out of Time or Automatic for the People, we'd be sitting on stools all night and swapping acoustic instruments, and that would be kind of boring," he said in October 1994.
• In 1995, she and Melissa Etheridge appeared in a "We'd Rather Go Naked Than Wear Fur" poster campaign for PETA.
• The question people have to ask themselves is, who are the other 35000 odd people who bought the Hilltop Hoods album? It's such a small insular and at times disturbingly ignorant little slice of Australia that I think we'd just be banging our heads against the wall trying to get through to those 15-year-old kids.
• Sometimes I'd be lookin' around the room and singin' back off mic … we'd have to bring it way back up in the mix to get it.
• " In 2000, Angus Young recalled to Guitar World that producer Mutt Lange once told him "of all the many albums we'd done with my brother George and his partner, Harry Vanda, the one Mutt wished he would have done, where he was envious of George, was Let There Be Rock.
• And then Stevie and I would wait, and Sir Alex would give us a couple of quid and we'd nip round to the chippie in Love Street.
• " When the ground was harrowed, glass and other debris would surface; a contemporary observer, John Orchard, later remembered: "they'd line up a whole group of people, perhaps thirty or forty players, and we'd go along with a container alongside each other and we'd pick up everything that was likely to hurt a player.
• According to McIlrath, although the lyrics discuss grim topics, they actually take on a positive view and were written from the perspective of: "What if the place on the other side of this transition is a place we'd all rather be living in?" On January 12, 2011, Rise Against announced the release date of Endgame as March 15, 2011.
• Having auditioned several drummers without success, the band took a break at a local pub where "there was the best rock drummer we'd ever seen, playing with this really dodgy band", but the drummer, who was also working as an Audi car salesman at the time, initially rejected the bands pleas to join the band, as he thought the band played "Britpop shite".
• We'd have lots of eye-rolling, sophomoric one-liners about burgeoning bellies and then ooops! Turns out the smart alec kid brother merely murdered the bunny for a school science project.
• We'd walk out of the studio and there would be gators in front of the studio, mosquitos the size of B-52s and at times armadillos would run into the control room.
• Explaining how SAW's creative process influenced both him and Cauty, Youth said, "We'd be co-writing with them, starting a new song and Pete Waterman would come in with a handful of New York import 12"s with him and he'd go to the record player and say, 'Right, that's the fuckin' bassline!' and then he'd play another record and go, 'That's the beat!'.
• Lynne continues: "And he's got this enormous and most infectious giggle you've ever heard, and we'd all be giggling like schoolgirls after a minute or two and all fall about!" At the time, Lynne described the video as a "nice film, where we're just playing, with nice shots of guitars and heads and feet", and free of "gimmicks and fireworks".

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