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CHORALE

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CHO
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Beispiele für die Verwendung von CHORALE in einem Satz

  • He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
  • A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service.
  • The Midland-Odessa Symphony and Chorale (MOSC) has performed in the Permian Basin for over 45 years, and is the region's largest orchestral organization, presenting both Pops and Masterworks concerts throughout the year.
  • Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:.
  • Further hymn settings and arias by Bach are included in his cantatas, motets, masses, passions, oratorios and chorale harmonisations (BWV 1–438 and later additions).
  • Fields Stage, Dance Pavilion, Flow Zone, WorkItShop, Spirit Tower, Rabbit Hole, Front Porch, Blue Moon Stage, Stage Left, Chez Ray's Next Stage, Monkey Palace, Might Tiny Puppet Stage, Hoarse Chorale, Morningwood Odditorium, Community Village, and Youth Stage.
  • A musician controls the Leslie speaker by either an external switch or pedal that alternates between a slow and fast speed setting, known as "chorale" and "tremolo".
  • Within the music department, electives include the marching and symphonic bands, madrigals, women's chorale, choir, orchestra, music theory, and guitar.
  • Music ensembles at Northwestern include the Northwestern Choir, UNW Orchestra, Symphonic Band, Jazz Band, Con Brio Men's Chorus, Amata Women's Chorale, and numerous chamber ensembles.
  • In 1926 and 1934 Hess arranged, for both solo piano and for two pianos the chorale Wohl mir, daß ich Jesum habe from Bach's Cantata Herz und Mund und Tat und Leben (BWV 147).
  • The full orchestra accompanies the first choral movement and plays with the voices in the closing chorale, while a sequence of three arias alternating with two recitatives is scored intimately.
  • Sonata on the 94th Psalm in C minor (1857) for organ - influenced by Liszt's Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam".
  • While three show the influence of his father (the Toccata in G major, the chorale partita on "O Lamm Gottes, unschuldig", and the fugal prelude to Fantasia super Meine Seele, lass es gehen), in the remaining works Pachelbel shows a preference for technique that is harmonically and contrapuntally simpler, influenced by the emerging Classical style.
  • The nine parts of his Musae Sioniae (1605–10) and the 1611 published collections of liturgical music (masses, hymns, magnificats) follow the German Protestant chorale style.
  • Other activities include Saint Michael's Fire and Rescue student volunteer first responders, Student Association, Adventure Sports Program, Campus Ministry, the campus radio station WVTX, club sports, student musical and play productions, the Saint Michael's Chorale, Vermont Gregorian Chant Schola, open mic nights and various instrumental and vocal ensembles.
  • Its culmination, a restatement of the chorale, is a moment of such transcendence that the usually austere Brahms permits himself the use of a triangle.
  • His works have been recorded on more than 200 CDs, five of which have received Grammy Award nominations, including O Magnum Mysterium by the Tiffany Consort, A Company of Voices by Conspirare, Sound The Bells by The Bay Brass, and two all-Lauridsen discs entitled Lux Aeterna by the Los Angeles Master Chorale led by Paul Salamunovich and Nocturnes with the Polyphony choir and the Britten Sinfonia conducted by Stephen Layton.
  • The Master Chorale regularly performs with the Los Angeles Philharmonic and the Hollywood Bowl Orchestra, both at the Music Center and at the Hollywood Bowl, with such leading conductors as Gustavo Dudamel, Esa-Pekka Salonen, Zubin Mehta, André Previn, Pierre Boulez, Michael Tilson Thomas and Roger Norrington, among many others.
  • In his numerous chorale preludes, Scheidt often used a "patterned variation" technique, in which each phrase of the chorale uses a different rhythmic motive, and each variation is more elaborate than the previous one, until the climax of the composition is reached.
  • 1739–1742 Bach starts revising some of his Weimar period Chorale preludes in a new manuscript (the so-called Great Eighteen Chorale Preludes BWV 651–668).
  • In any case, there is no evidence to suggest that the tune is older than Martin Luther's "Vom Himmel hoch da komm ich her", a Christmas chorale of which Antioch appears to be an expanded paraphrase.
  • His use of fugue and incorporation of chorale, together with the grandeur of expression in his mature orchestral works, have caused him to be called a "French Bruckner".
  • Collegiate Chorale is a SATB choir composed of upperclassmen and Cathedral Choir is a SATB choir composed of sophomores only.
  • Chanukah Suite – 2005 – an 8-minute chorale fanfare in three parts, featuring traditional Hebrew songs infused with up-tempo rock and roll rhythms and Leonard Bernstein inspired chordal flavors.
  • In the opening movement of Bach's St Matthew Passion, the chorale "O Lamm Gottes, unschuldig" appears in long notes, sung by a separate choir of boys "in ripieno".



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