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GERNE
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- From this period dates the legendary Archiv production featuring baritone Dietrich Fischer-Dieskau and Hermann Töttcher playing oboe and oboe da caccia in Bach's cantatas Ich will den Kreuzstab gerne tragen, BWV 56 and Ich habe genug, BWV 82.
- The first movement of the second section Der Ewigkeit saphirnes Haus ("Eternity's sapphiric house"), which was performed following the oration, contains underlying elements of the first movement of the cantata BWV 56, Ich will den Kreuzstab gerne tragen ("I want to bear the cross") which Bach had composed one year earlier.
- Native adverbs, like nicht, leider or gerne, are placed before the innermost verb (see Compound infinitives).
- Some of these are the hymn for Communion "" ("Deck thyself, my soul, with gladness"), the Advent hymn Komm, Heidenheiland, Lösegeld (Come, Ransom of our captive race, a translation into German of Veni redemptor gentium), and a hymn to Jesus, "Jesu, meine Freude" (You, o beautiful building of the world), with a melody by Crüger is no longer in practical use, but one stanza, "" (Come, O death, to sleep a brother), was prominently used in Bach's solo cantata Ich will den Kreuzstab gerne tragen, BWV 56.
- He recorded Bach's solo cantatas for bass, Ich will den Kreuzstab gerne tragen and Ich habe genug, with the Neues Bachisches Collegium Musicum conducted by Max Pommer, as well as orchestral works by Mahler including Lieder eines fahrenden Gesellen conducted by Günther Herbig and Fünf Lieder nach Friedrich Rückert with the Staatskapelle Berlin conducted by Otmar Suitner.
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