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TONES

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  • In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale.
  • The original document is scanned with a fax machine (or a telecopier), which processes the contents (text or images) as a single fixed graphic image, converting it into a bitmap, and then transmitting it through the telephone system in the form of audio-frequency tones.
  • The numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, or lute (or other instruments capable of playing chords) should play in relation to the bass note.
  • The harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a fundamental frequency.
  • Just intervals (and chords created by combining them) consist of tones from a single harmonic series of an implied fundamental.
  • Tuning is the process of adjusting the pitch of one or many tones from musical instruments to establish typical intervals between these tones.
  • The I (tonic), IV (subdominant) and V (dominant) chords (primary triads) together encompass all seven tones of the tonic's major scale.
  • All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously to consonants and vowels.
  • Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harmonic objects such as chords, textures and tonalities are identified, defined, and categorized in the development of these theories.
  • Accidentals alter the pitch of individual scale tones in a given key signature; the sharps or flats in the key signature itself are not considered accidentals.
  • A master frequency generator or master electronic oscillator, in frequency-division multiplexing (FDM), is a piece of equipment used to provide system end-to-end carrier frequency synchronization and frequency accuracy of tones.
  • The name "meantone temperament" derives from the fact that in all such temperaments the size of the whole tone, within the diatonic scale, is somewhere between the major and minor tones (9:8 and 10:9 respectively) of just intonation, which differ from each other by a syntonic comma.
  • Drum machines may imitate drum kits or other percussion instruments, or produce unique sounds, such as synthesized electronic tones.
  • An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord.
  • Perhaps her most famous catchphrase was "many, many, many times", delivered in the dry, reedy tones of Bea Clissold, the ancient actress who was renowned for having given pleasure to many, particularly in "The Little Hut" on Shaftesbury Avenue.
  • He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones.
  • In music theory, the tritone is defined as a musical interval spanning three adjacent whole tones (six semitones).
  • Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration (audio frequency).
  • Self is a contributor to the BBC Radio 4 programme A Point of View, to which he contributes radio essays delivered in his familiar "lugubrious tones".
  • The associated psalm tones are indicated by number and ending pitch, and the pitches for the ending of the doxology are indicated by the mnemonic Euouae.
  • Barbarin sang in a quartet, the Four Tones, after World War II, then worked with Miller in the 1950s and 1960s.
  • The duo's work, largely influenced by media and electronic music from the 1970s, incorporates vintage synthesiser tones, samples, analog equipment, and hip hop-inspired beats.
  • Prolific in creating guitar riffs, Page's style involves various alternative guitar tunings and melodic solos, coupled with aggressive, distorted guitar tones.
  • Music or tones such as DTMF or fax tones cannot be transported reliably with this codec, and thus some other method such as G.
  • This effect is especially emphasised by the fact that triads built on such scale tones are all augmented triads.



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