Definition & Meaning | English word ADJACENCIES

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Definitions of ADJACENCIES

1. plural of adjacency.

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Examples of Using ADJACENCIES in a Sentence

• Alternative conventions to node–link diagrams include adjacency representations such as circle packings, in which vertices are represented by disjoint regions in the plane and edges are represented by adjacencies between regions; intersection representations in which vertices are represented by non-disjoint geometric objects and edges are represented by their intersections; visibility representations in which vertices are represented by regions in the plane and edges are represented by regions that have an unobstructed line of sight to each other; confluent drawings, in which edges are represented as smooth curves within mathematical train tracks; fabrics, in which nodes are represented as horizontal lines and edges as vertical lines; and visualizations of the adjacency matrix of the graph.
• Techniques such as absorption spectroscopy and the vibrational spectroscopies, infrared and Raman, provide, respectively, important supporting information about the numbers and adjacencies of multiple bonds, and about the types of functional groups (whose internal bonding gives vibrational signatures); further inferential studies that give insight into the contributing electronic structure of molecules include cyclic voltammetry and X-ray photoelectron spectroscopy.
• Additionally, he points out that “our design strategies is a continuing search for the way to conceptually enter the site and create bones where there are none”, and that while each Hargreaves project integrates sustainability, phenomena and process, site histories, adjacencies and overlays, “none should operate singularly - they all interact on the same site as we strive to put bones in our projects that will give them life for decades or centuries to come”.
• For each vertex we store the list of adjacencies (out-edges) in order of the planarity of the graph (for example, clockwise with respect to the graph's embedding).
• When a polyhedron has a midsphere, one can form two perpendicular circle packings on the midsphere, one corresponding to the adjacencies between vertices of the polyhedron, and the other corresponding in the same way to its polar polyhedron, which has the same midsphere.
• The Rado graph is uniquely defined, among countable graphs, by an extension property that guarantees the correctness of this algorithm: no matter which vertices have already been chosen to form part of the induced subgraph, and no matter what pattern of adjacencies is needed to extend the subgraph by one more vertex, there will always exist another vertex with that pattern of adjacencies that the greedy algorithm can choose.
• As a result, Shelleg notes, the composers discussed in this book do not form a cohesive group, yet they share constituent cultural and historical sensibilities: they opt for diasporism irrespective of their compositional approaches but refrain from universalizing Jewish diasporas (as did classic Zionism); they display postmodern patrimonies but reject their essentialist qualities; they spawn new adjacencies of musics from the Levant, making an interconnected skein of threads that leads unpredictably from one culture to another; they admonish their country’s ethnocracy and democratic façade; they denationalize the Holocaust; and they narrate the failure of territorial nationalism.

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