Anagramas & Información sobre | Palabra Inglés INKER

---

---

---

---

---

---

---

---

---

Ejemplos de uso de INKER en una oración

• He began his professional career in 1953, working in the studio of Joe Simon and Jack Kirby, beginning as an inker and coming under the influence of artist Mort Meskin.
• The original writer and penciller for the comic strip was Earl Duvall, with Taliaferro serving as his inker.
• Still a teenager, he started his apprenticeship with the renowned Italian cartoonist Romano Scarpa, and at the age of 15, from issue #70 of Topolino (December 1962) ‑ he was Scarpa's personal inker.
• First published in 1984, the comic continues to this day, with Sakai as the lone author and nearly sole artist (Tom Luth serves as the main colorist on the series, and Sergio Aragonés has made two small contributions to the series: the story "Broken Ritual" is based on an idea by Aragonés, and he served as a guest inker for the black-and-white version of the story "Return to Adachi Plain" that is featured in the Volume 11 trade paperback edition of Usagi Yojimbo).
• The team then had guest appearances on several more occasions, and in 1985 was featured in a self-titled twelve-issue limited series by Mark Gruenwald, followed in 1989 by a graphic novel sequel by Gruenwald, Ryan and inker Al Williamson, Squadron Supreme: Death of a Universe, in which the Nth Man serves as the main antagonist.
• Millennium (inker, with writer Steve Englehart and penciler Joe Staton, 8-issue limited series, DC Comics, January–February 1988).
• Thomas won the 1969 Alley Award that year for Best Writer, while Adams and inker Tom Palmer, netted 1969 Alley Awards for Best Pencil Artist and Best Inking Artist, respectively.
• Following several issues by creators Lee and Kirby, penciller Dick Ayers began his long stint on what would be his signature series; John Severin later joined as inker, forming a long-running, critically acclaimed team.
• By the time comic books came of age in the 1940s, the huge volume of work demanded by publishers had encouraged an assembly-line process, dividing the creative process into distinct tasks: writer, penciller, letterer, inker, and colorist.
• Also in 1995 he was writer/penciller on Solar with issue #46 from Valiant Comics wherein he worked with inker Dick Giordano and with penciller Tom Grindberg joining in with issues #51–54 after Jurgens relinquished penciller duties with issue #50.
• The inker (sometimes credited as the finisher or embellisher) is one of the two line artists in traditional comic book production.
• 7 of Tom Strong under DC's America's Best Comics imprint and writing and penciling a two-page X-Men story in X-Men: Millennial Visions, his final collaboration to date with inker Cam Smith.
• Josef Rubinstein was brought on by Gruenwald to be the sole inker of the entire 20-year project because he felt Rubinstein was best able to make the characters easily recognizable and to subvert his own style to that of the handbook's various pencillers.
• He was then hired as an assistant inker to Murphy Anderson, Cockrum's work on the feature, beginning with a backup story in Superboy #184 (April 1972) and recurring in several following issues "established an exciting new vibe".
• He is primarily known these days as an inker, although he has done some pencilling as well (for instance, collaborating with writer Len Wein on an early 1980s run on Green Lantern).
• Working primarily as an inker, Sinnott is best known for his long stint on Marvel Comics' Fantastic Four, from 1965 to 1981 (and briefly in the late 1980s), initially over the pencils of Jack Kirby.
• John Buscema specifically asked for his brother as inker on The Silver Surfer, at the time a high-profile project dear to writer-editor Lee, who gave the character an unprecedented for the time double-sized, 64-page (with ads and covers) solo series priced at 25 cents, more than twice the price of the standard 32-page, 12-cent comic.
• Teaming up with writer Marcus McLaurin and inker Chris Ivy, Turner penciled the bulk of the first 12 issues of Marvel's Cage title in 1992–1993.
• Unlike usual penciled pages, Marvel 1602 used a technique called "enhanced pencils", whereby the finished pencil drawings are sent straight to the colorist instead of to an inker first.
• After a hiatus, the Rawhide Kid was rebooted for what was now Marvel Comics by writer Stan Lee, penciler Jack Kirby and inker Dick Ayers.
• The stories were: an 11-page Iron Man tale, "The Torrent Without, The Tumult Within", written by Archie Goodwin, with art by penciler Gene Colan and inker Johnny Craig, a former EC Comics mainstay; and an 11-page Sub-Mariner story, "Call Him Destiny, or Call Him Death", written by Roy Thomas, with art by Colan and inker Frank Giacoia.
• Aparo was one of the few artists in mainstream comics at that time to serve as penciller, inker, and letterer for all of his work.
• Other staffers included colorists Bob LeRose and Anthony Tollin, writer Bob Rozakis, inker Steve Mitchell, and letterer John Workman.
• Romita was working at the New York City company Forbes Lithograph in 1949, earning $30 a week, when comic book inker Lester Zakarin, a friend from high school whom he ran into on a subway train, offered him either $17 or $20 a page to pencil a 10-page story, possibly a crime comic about 1920s mobsters, for him as an uncredited ghost artist.
• September 6, 2011, for the 10th anniversary of 9/11, IDW Publishing teamed up Charlie Foxtrot Entertainment and released the graphic novel Code Word: Geronimo, written by retired Marine Corps Captain Dale Dye and Julia Dye, drawn by Gerry Kissell with inker Amin Amat.

La preparación de la página tomó: 187,72 ms.