Anagrammen & Informatie over | Engels woord REBAB

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Voorbeelden van het gebruik van REBAB in een zin

• The name derives from the 15th century Middle French rebec, altered in an unexplained manner from the 13th century Old French ribabe, which in turn comes from the Arabic rebab.
• Singing was not thought to be the work of these intellectuals and was instead entrusted to women with beautiful voices who would learn how to play some instruments used at that time such as the drum, the lute or the rebab, and perform the songs while respecting the poetic metre.
• The vielle possibly derived from the lira, a Byzantine bowed instrument closely related to the rebab, an Arab bowed instrument.
• Celempungan is a Sundanese musical genre that includes several musical instruments such as kacapi, kendang, goong/gong, and suling or rebab (optional), and Juru Kawih (singer).
• Andalusia was probably the main route of transmission of a number of Near-Eastern musical instruments used in classical music; the rebec (ancestor of violin) from the Maghreb rebab, the guitar from qitara and naker from naqareh.
• The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra.
• A typical large, double gamelan in contemporary solo (Surakarta) will include, in the sléndro set, one saron panerus (or saron peking), two saron barung, one or two saron demung, one gendér panerus, one gender barung, one slenthem (or "gender panembung"), one bonang panerus and one bonang barung (each with twelve gongs), one gambang kayu, one siter or celempung, one rebab, one suling, one pair of kethuk and kempyang, one set of three to five kenong, one set of three to five kempul, one to three gong suwukan, and one gong ageng.
• The rebab is one of the main melodic instruments of the ensemble, together with the metallophone gendér; these and the kendang drums are often played by the most experienced musicians.
• This can include rebab, gendér, gendér panerus, voice, slenthem, suling, siter, gong, kempul, kenong, and kendhang.
• The instrumental ensemble used includes the ud, rabab, Maghreb rebab or rebec, nay, qanun, tambourine, and a goblet drum called darbuka.
• Many of the instruments they used in their performances are traditional North African and Middle Eastern instruments: the oud, kamanja, darbuka, tar and rebab, as well as the flamenco cajón, guitar, and palmas and Western instruments such as the flute, saxophone, drum set and piano.
• A short-necked double-chested or "boat-shaped" variant; plucked versions like the Maghreb rebab and the kabuli rebab (sometimes referred to as the robab or rubab) also exist.
• The soft-playing style includes voices and instruments like gambang, celempung, rebab, gendèr panerus, and gendèr barung.
• In the original ketuk tilu, the group typically consists of the ketuk tilu pot-gong, other small gongs, a rebab (spike fiddle), barrel drums, and a female singer-dancer (ronggeng) who is often also a prostitute, who invites men to dance with her sensually.
• It started life as a PostScript font "Kepatihan" developed by Matthew Arciniega in 1994; the font uses the same "keyboard logic" as Scholz's font, but has a greatly expanded character set allowing full notation of rebab, vocals, and kendhang.
• Variants of the rubab include the Kabuli rebab of Afghanistan, the Rawap of Xinjiang, the Pamiri rubab of Tajikistan and the seni rebab of northern India.
• His father, “Hamoud bin Ahmed Ballan,” farmer turned gendarme, had an affinity for music and was skilled at playing the rebab instrument, which he taught to Ballan.
• In this puppet show besides being accompanied by sinden also accompanied by Sundanese gamelan such as saron, peking, celery, bonang, kenong, gong, rebab, kempul xylophone, drums, and culant drums.
• The traditional vocal portion is sung free verse poetry, the instrumental accompaniment being performed on kacapi (zither), suling (bamboo flute) and sometimes, rebab (violin).
• A further distinction between types is between those accompanied by a small group an instruments including gendér, gambang, rebab and suling (such as lagon and suluk), and those accompanied by gender alone or with the addition of kempuls and gongs (such as kawin, sendhon and ada-ada).
• That the evolution should take place within the Byzantine Empire or in Syria would be quite consistent with the traditions of the Greeks and their veneration for the cithara, which would lead them to adapt the neck and other improvements to it, rather than adopt the rebab, the tanbur or the barbiton from the Persians or Arabians.
• A number of musical instruments used in European music were influenced by Arabic musical instruments, including the rebec (an ancestor of the violin) from the rebab and the naker from naqareh The oud is cited as one of several precursors to the modern guitar.
• The suling gambuh play melodies along with a rebab while percussion instruments fill out the sound with a variety of timbres and rhythms: a medium-sized gong, a small gong called kajar, two kendang, a chime called klenang, a bell tree called gentorag, rincik (reminiscent of a ceng-ceng), a metallophone called kenyir, kangsi, and gumanak.
• The orchestra consisted of various musical instruments that are commonly used by the different ethnic groups in Malaysia, including Rebab, flute, Sapeh, percussion, Gaohu, Zhonghu, Er-hu, Dizi and Sitar.
• Al Ain, Fénie Brossette, SFP Zellidja, Atlantis, Africa Palace Maroc, Rebab Company, Delma (owner of Sheraton Casablanca), Daewoo Rabat (owner of Hilton Rabat).

Paginavoorbereiding duurde: 245,43 ms.