Anagramas & Informações Sobre | Palavra Inglês JOR

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Exemplos de uso de JOR em uma frase

• Stewart has acknowledged that the song inadvertently incorporates the melody from the song "Taj Mahal" by Jorge Ben Jor, although Ben Jor was not given a writing credit.
• Nevertheless, a concert with a solo sarangi as the main item will sometimes include a full-scale raag presentation with an extensive alap (the unmeasured improvisatory development of the raga) in increasing intensity (alap to jor to jhala) and several compositions in increasing tempo called bandish.
• In instrumental music, when a steady pulse is introduced into the alap, it is called jor; when the tempo has been greatly increased, or when the rhythmic element overtakes the melodic, it is called jhala (dhrupad: nomtom).
• In Hindustani classical music, the jor (Hindi: जोर, ; also spelt jod and jhor) is a formal section of composition in the long elaboration (alap) of a raga that forms the beginning of a performance.
• This movement has produced and is represented by many Brazilian artists, such as Jorge Ben Jor, Caetano Veloso, Gal Costa, Djavan, Novos Baianos, Tom Jobim, Chico Buarque, Belchior and Elis Regina, whose individual styles generated their own trends within the genre.
• On 18 June 1899, King Chulalongkorn visited Ko Tao and left as evidence his monogram on a huge boulder at Jor Por Ror Bay next to Sairee Beach.
• The Delhi Ring Railway stops at Chanakyapuri, while Lok Kalyan Marg metro station and Jor Bagh metro station are the nearest stations of Delhi Metro.
• The letter is called back yer or back jer and yor or jor in the pre-reform Russian orthography, in Old East Slavic, and in Old Church Slavonic.
• The road follows a 14th-century dirt track connecting Ghiyathpur (now Nizamuddin) village with the Bagh-i Jud (from which the present day Jor Bagh is derived), one of the earliest orchards mentioned in Sultanate records, before joining the larger road from Rewari and Gurgaon.
• Travelling this way, two waterfalls dropping into Klong River can be seen: Thi Lor Jor Waterfall (น้ำตกทีลอจ่อ), and Sai Rung Waterfall (น้ำตกสายรุ้ง).
• However, the Ethiopian Disaster Prevention and Preparedness Agency map of the Gambela Region disagrees with the information from the CSA and the map prepared by UN-OCHA for Gambela: although all have Abobo woreda, where the UN-OCHA map (copyright 2003) shows Gog and Jor the DPPA map (copyright 2006) instead shows Gilo and Dimma woredas.
• Part of the Anuak Zone, Jor is bordered on the south by the Akobo River which separates it from South Sudan, on the west and north by the Nuer Zone, on the northeast by Abobo, and on the east by Gog; the Alooworro River defines part of its northern boundary.
• Musicians belonging to the gharana adhere to a dhrupad aesthetic in their approach to playing the alap and jor portions in a raga.
• Despite being the acknowledged Damel of Cayor, Lat Jor had to deal with a revolt among the jaami buur, or royal slaves.
• Narayan's performances are strung together from the meditative and measured alap (non-metrical introduction) and jor (performance with pulse) in dhrupad style, followed by a faster and less reserved gat section (composition with rhythmic pattern provided by the tabla) in khyal style.
• Rewari, Pali, Kund Kathuwas, Ateli, Bachhod, Narnaul, Raghunathpura, Goad Balawa, Pacheri, Dumoli Khurd, Singhana, Bhaisawata Kalan, Adooka, Chirawa, Ojtu, Bkhatawarpura, Bagar, Jhunjhunu, Nayasar, Abusar, Durana, Hetamsar, Wahidpura, Tetra, Mandawa, Sadinsar, Balod Bari, Tajsar, Daultabad, Fatehpur, Shekhawati, Hardyalpura, Kalyanpura, Rolsabsar, Biramsar, Ratangarh, Rajaldesar, Kitasar, Shri Dungargarh, Jodhasar, Seruna, Gusainsar, Norangdesar, Raisar, Kanasar, Bikaner, Gajner, Madh, Diyatra Nokhra, Kanji ki sid, Gadna, Bap, Hindal Gol, Jor, Malhar, Phalodi, Ramdevara, Gomat, Pokhran, Khetolai, Lathi, Chandan, Sagra, Thaiyat, Jaisalmer War Museum, Jaisalmer, Pithala, Ghotru Rai Temple, Dhobha, Phuliya, Myajlar.
• Between 1861 and 1870 they took part in the conquest of Cayor against the Damel Lat Jor, notably at the Battle of Loro in 1864 and the Battle of Louga in 1869.
• In 1875 Lat Jor and Alboury Ndiaye defeated and killed Shaikh Amadu Ba at the battle of Samba Sajo near Koki.
• Brazilian Day has already brought many acclaimed Brazilian artists, such as Blitz, Kid Abelha, Jorge Ben Jor, Carlinhos Brown, Claudia Leitte, Skank, Jota Quest, Alcione Nazareth, Ivete Sangalo, Elba Ramalho, Marcelo D2, Sandy e Júnior, Daniela Mercury, Lulu Santos, Zeca Pagodinho, Banda Calypso and many other artists.
• He produced albums of artists such as Ritchie, Gilberto Gil (he produced his Grammy Award winner album Eletroacústico), Os Paralamas do Sucesso, Kid Abelha, Ultraje a Rigor, Elis Regina, Barão Vermelho, Titãs, Raul Seixas, Guilherme Arantes, Gabriel, O Pensador, Belchior, Daniela Mercury, Ed Motta, João Gilberto, Luiz Melodia, Chico Science & Nação Zumbi, Fernanda Abreu, Lulu Santos, Oswaldo Montenegro, As Frenéticas, O Rappa, Jorge Ben Jor and Forfun.
• In 1865 Maba Diakhou Bâ's forces led by Lat Jor invaded Jolof and drove buurba Bakantam Khadi, who had refused to convert to Islam, into exile in Bambouk.
• Five artists were invited to take part in this exclusive showcase: Jay Wud, Hamdan Abri, DD Foxx, Xriss Jor, and Nile.
• His Raga presentation unites the meditative depth in the Alap (introduction) – the unparalleled fortitude of the Dagarbani Dhrupad – with the dynamic interpretation of the faster performance stages (Jor, Jhala), a distinguished characteristic of the Khandarbani style.
• The district stretches from Jor Bagh, Lodhi Road, Khan Market, Sunder Nagar, Nizamuddin East, Nizamuddin West, Sarai Kale Khan, through Defence Colony, Lajpat Nagar, Ashram, Ashram chowk,New Friends Colony, Nehru Place, Kalkaji, Chittaranjan Park, Govindpuri, Greater Kailash, Alaknanda to Jamia Nagar, Okhla, Sarita Vihar, Jaitpur,Badarpur and Badarpur border.

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