Definition, Meaning & Anagrams | English word STAINER

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Definitions of STAINER

1. Something that stains.
2. One who stains or tarnishes.
3. A workman who applies a stain to wood, etc.
4. A surname.

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Examples of Using STAINER in a Sentence

• While a student at the RCM, he was told by the registrar, John Stainer, that it would be impossible to make a living as a harpsichordist.
• Jacob Stainer was one of the most famous luthiers of his time in Europe before Stradivari, and the only non-Italian luthier to rank at the top of that artistic craft.
• The hymnal was edited by Henry Ramsden Bramley and John Stainer; even though it is not known with certainty who paired the three stanzas from "The Manger Throne" with the music from "Greensleeves", the third edition of The Christmas Encyclopedia by William D.
• Stainer grumbles about it, saying he'll give him what for but it's Lloyd who decides to air this grievance with Perry by reporting Fletcher for being unfair to the squad.
• The overall pattern for the instrument was set in the 17th century by luthiers like the prolific Amati family, Jakob Stainer of the Tyrol, and Antonio Stradivari, with many makers at the time and since following their templates.
• It is also worth noting that the tone of both Stradivari and Guarneri did not come into their own until late in the 18th century, that the high-built instruments of Amati and Stainer were the only ones prized during the 18th century.
• Laura started at Radio 1 by applying for a BBC Talent production traineeship with Jocelin Stainer from The Chris Moyles Show, near the end of the traineeship she started working on the Scott Mills show.
• In earlier editions of the Church of Scotland's Church Hymnary, the tunes "God in Nature" by John Stainer and "All Things Bright" by Frederick Arthur Gore Ouseley had been used.
• Equipped with TECAN Evo 200 (robotic platform), HANABHI Harvester PII & PIII (chromosome harvesters), HANABI Spreader, Auto Stainer & Auto Image capture digital microscope, and LIMS.
• The Collection possesses stringed instruments by Antonio Stradivari, Pietro Giovanni and Andrea Guarneri, Antonio and Nicolò Amati, and Jacob Stainer.
• Strains tested by Stainer and coworkers were able to grow and utilize the following substrates: gluconate, D-glucose, D-maltose, starch, glycerol, acetate, butyrate, isobutyrate, isovalerate, propionate, fumarate, glutarate, glycolate, glyoxylate, DL-3-hydroxybutyrate, itaconate, DL-lactate, DL-malate, malonate, oxaloacetate, 2-oxoglutarate, pyruvate, succinate, D-alanine, D-asparagine, L-glutamate, L-glutamine, L-isoleucine, and L-proline and hydrolysis of L-alanine-para-nitroanilide.
• The museum collects musical instruments of historical significance, in particular violins and other string instruments by Antonio Stradivari, Guarneri del Gesù, Jacob Stainer, Amati, Rogeri, Joseph Guarneri Filius Andrea, Vincenzo Rugeri, Seraphin, Gagliano, Guadagnini and other famous artisans.
• Notable contributors have included Tobias Hill, Sophie Hannah, Susan Wicks, Elizabeth Bartlett, Brian Aldiss, Carole Satyamurti, Paul Groves, Mario Petrucci, Matthew Mead, Tamar Yoseloff, Frances Leviston, Katherine Pierpoint, Andrew Waterhouse, John Harvey, Pauline Stainer, Ian Caws, Jill Dawson, Jane Holland, Robert Seatter, Catherine Smith, Stewart Conn, Clare Pollard, Susan Wicks, Michael Swan, Christopher James and Andrew Waterman.
• His most successful chamber work was the Phantasy Quintet for piano, violin, viola, cello and double bass, commissioned by the Worshipful Company of Musicians, dedicated to Walter Cobbett and published by Stainer and Bell in 1912.
• Cottier subsequently worked for the stainer James Ballantine in Edinburgh, and attended evening classes at the Trustees' Academy, at which 'Ornamental Design' was taught.
• Also on display are lutes from the 16th and 17th centuries by Maler, Tieffenbrucker and Unverdorben; a 17th-century guitar; violins of Italian, German and Czech origin (Gasparo da Salo, Jacob Stainer, Eberle, Hellmer,Rauch); contrabasses from Edlinger and Jacob Stainer; Guarneri and Kulik violoncelli; 18th-century Viennese wind instruments and a pair of copper martial kettledrums.
• In contemporary Mexico the term is used for a number of sauces, some quite dissimilar, including mole amarillo or amarillito (yellow mole), mole chichilo, mole colorado or coloradito (reddish mole), mole manchamantel or manchamanteles (tablecloth stainer), mole negro (black mole), mole rojo (red mole), mole verde (green mole), mole poblano, mole almendrado (mole with almond), mole michoacano, mole prieto, mole ranchero, mole tamaulipeco, mole xiqueno, pipián (mole with squash seed), mole rosa (pink mole), mole blanco (white mole), mole estofado, tezmole, clemole, mole de olla, chimole, guacamole (mole with avocado) and huaxmole (mole with huaje).
• Papua New Guinea: Dikana Boge, Tara Gau, Bob Greathead, Garia Kora, Steve Malum, Paul Tore, John Wagambie (c), Asi Winnie (Southern Region); Joe Gandel, Sukope Iko, Paul Kombinari, Jack Metta, Alan Rero, Stainer Sapu, Joe Tomerup, Linus Gene (Highlands Region); Openi Geno, Vai Karava, Kaiva Kako (Northern Region); Peter Pais, David Pukuntap, David Tangoa (Islands Region).
• He published several hymns, originally part of his libretto for Stainer, "All For Jesus, All For Jesus", "Jesus, the Crucified, prays for me", "Cross of Jesus, cross of sorrow", "Holy Jesu, by thy passion" and "I adore thee, I adore thee" He was a strong proponent of Anglo-Catholicism and was editor of the high-church English Church Review in the years before the First World War.
• These include Nicholson Road, Goodson Walk, Hayes Close, Crotch Crescent, Ouseley Close, Stainer Place, Parry Close, Hugh Allen Crescent, Westrup Close.

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