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Beispiele für die Verwendung von BAUHAUS in einem Satz

• Along with the doctrine of functionalism, the Bauhaus initiated the conceptual understanding of architecture and design.
• Post-punk artists who anticipated the gothic rock genre and helped develop and shape the subculture include Siouxsie and the Banshees, Bauhaus, the Cure and Joy Division.
• In the 1930s, Mies was the last director of the Bauhaus, a ground-breaking school of modernist art, design and architecture.
• Walter Adolph Georg Gropius (18 May 1883 – 5 July 1969) was a German-American architect and founder of the Bauhaus School, who, along with Alvar Aalto, Ludwig Mies van der Rohe, Le Corbusier and Frank Lloyd Wright, is widely regarded as one of the pioneering masters of modernist architecture.
• Its architecture is a mix of historical (mostly Eclectic, but also Neoclassical and Art Nouveau), interbellum (Bauhaus, Art Deco, and Romanian Revival architecture), socialist era, and modern.
• Known for their dark image and gloomy sound, Bauhaus are one of the pioneers of gothic rock, although they mixed many genres, including dub, glam rock, psychedelia, and funk.
• Leaving the workshop to study at the Darmstadt Artists' Colony, he became interested in Walter Gropius's Bauhaus manifesto.
• Although he was ten years old when the Bauhaus was closed, Seidler's analysts invariably associate him with the Bauhaus because he later studied under emigrant Bauhaus teachers in the USA.
• The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Bauhaus, and the Cure.
• While still a member of Bauhaus, Ash formed Tones on Tail early in 1982, originally as a duo with Glenn Campling, an art school friend and flatmate who had also been a roadie for Bauhaus.
• He was associated with interdisciplinary modernism, with affiliations ranging from the Bauhaus, Berlin agitprop theater and the kibbutz movement to the Eighth Street Artists' Club, Black Mountain College, and the Darmstadt Summer Courses for New Music.
• Although Renner was not associated with the Bauhaus, he shared many of its idioms and believed that a modern typeface should express modern models, rather than be a revival of a previous design.
• The following year he traveled to Albissola Marina in Italy where he became involved with an offshoot of COBRA, the International Movement for an Imaginist Bauhaus.
• "Rosegarden Funeral of Sores", 1980 song by John Cale, subsequently recorded by Bauhaus - see "Telegram Sam".
• As Ash described them: "We were a motley crew of individuals who essentially wanted to sound like a band from Venus or Mars!" In 1984, Tones on Tail was disbanded; Ash founded Love and Rockets in 1985 with Haskins and David J, also of Bauhaus.
• Bauhaus combined a number of influences (punk, glam rock, even funk and dub) to create a gloomy, but passionate sound which appealed to many looking for something new in the wake of punk's collapse.
• In Alba, Piedmont, Italy, with Asger Jorn and Giuseppe Pinot Gallizio he founded the Laboratory of immaginiste experiences as part of the International Movement for an Imaginist Bauhaus (IMIB).
• In 1925 George Gough Booth asked him to design the campus of Cranbrook Educational Community, intended to be an American equivalent to the Bauhaus.
• In 1920, Albers joined the Weimar Bauhaus as a student and became a faculty member in 1922, teaching the principles of handicrafts.
• The 1972 design was created by Gerhard Marcks, an artist from the Bauhaus, and features mythological twins Castor and Pollux.
• Love and Rockets are an English rock band formed in 1985 by former Bauhaus members Daniel Ash (vocals, guitar and saxophone), David J (bass guitar and vocals) and Kevin Haskins (drums and synthesisers) after that group split in 1983.
• Their liaison ended after six months when Max Bill's plan to marry her in order to avoid her pending extradition from Switzerland was vetoed by his father (to whom he owed a substantial amount of money due to medical expenses following an accident which had forced him to leave the Bauhaus).
• From 1954 to 1957 he was a member of the International Movement for an Imaginist Bauhaus, resigning due to the movement's perceived aggression and its lack of professionalism.
• As well, the corporation insisted that builders use company-approved architects who had been educated according to Bauhaus principles, to prevent the project from deteriorating into a typical post-war subdivision of builder's homes.
• For some Christians, deliverance ministries are activities carried out by specialists such as Bishop Larry Gaiters, Rev Miguel Bustillos, and Rev Vincent Bauhaus, or groups aimed at solving problems related to demons and spirits, especially possession of the body and soul, but not the spirit.

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