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• Plastic Man soon acquired comic-relief sidekick Woozy Winks, who was originally enchanted so that nature itself would protect him from harm.
• The cast featured Ethel Merman as Hattie, Arthur Treacher as Vivian, Betty Hutton as Florrie, James Dunn as Nick, Phyllis Brooks as Leila, Joan Carroll as Geraldine, Rags Ragland as Woozy, and Pat Harrington as Skat.
• A compilation of Sea Haggs and Keckle recordings, along with some of MacFarlane's solo work, appeared then under the name "Jelly CD", released by McIntyre's Woozy zine/imprint.
• Woozy Winks is a bumbling, inept, overweight and slobbish man who served primarily as a comic relief, much like other golden age sidekicks such as Doiby Dickles.
• Molloy Woodcraft of The Observer gave the album 4 stars out of 5, writing, "A mish-mash of odd found sounds, woozy synths and hip hop beats form a bed for a collective scattershot collage of musings on love, life and mortality".
• Koen Groeneveld (DJ Boozy Woozy) and Addy van der Zwan (Itty Bitty) first worked together in the Turn Up the Bass series of commercial mixes.
• The song incorporated irregular time changes – lilting and "sweetly woozy" – and a surging, psychedelic outro, and became a fan favourite.
• Creswell considers Arm's "overboard" vocals to mock a variety of rock stereotypes: the punk snarl, the "woozy slur" of hard rock, garage rock "yea-ahs", R&B-style wails and a "Jerry Lee Lewis shudder".
• Green's gilded, fabricated palace of sentiment makes you want to know more about these matters even as his clever-dick wordplay, woozy vocals and slick manipulation of modern dance music's subtlest syncopations lead you onto some empty dance floor of the soul.
• Plastic Man (Homem Borracha) minicomic: Plastic Man, Woozy Winks, and Chief Branner must stop Cheeseface and Edam O'Grottin (reprint of "The Milk of Human Cruelty" from Adventure Comics #476).
• His rebellion is soundtracked by a nagging, lazy sitar lick, a woozy singalong chorus, and a flute solo that Pan's People doubtless interpreted through the medium of dance when the song appeared on Top Of The Pops after reaching No 21 in the charts.
• Crause spits out his lyrics amidst a woozy cacophony akin to a Walkman warping and unspooling, to create a truly exhilarating rollercoaster ride.
• Early in June 2021, Stamma investigated instances where, when the word "stammering" was typed into certain Apple devices, the "woozy face" emoji was suggested, causing offence to many in the stammering community.
• Kevin Wierzbicki of antimusic describes the song as featuring "lots of the woozy guitar grind he helped popularize and a radio-ready vocal hook to boot".
• Thematically, The Electric Lady continues the dystopic cyborg concepts of its predecessors, while presenting itself in more plainspoken, personal territory in addition to experimenting with genres beyond conventional funk and soul music genres such as jazz, pop punk and gospel, as well as woozy and sensual vocal ballads.
• Producer Richard Russell sculpts alluring atmospheric beats; Bat for Lashes singer Natasha Khan lends a faint harmony to the fragile relationship autopsy 'The Selfish Giant'; Brian Eno adds synths to 'You and Me' and vocals to the woozy chanty 'Heavy Seas of Love'.
• P and G-Dragon showing off new vocal colors instead of their usual personality-driven raps", while Zutter is a "hip-hop cut peppered with trappy snares, knocking percussion and woozy synths to emphasize both dudes' distinctive spitting styles.
• Gleiberman felt the film's spectacles, including the sandworm and ornithopter sequences, disengage him from the story, saying "as the movie begins to run out of tricks, it turns woozy and amorphous".
• The "woozy", "languid", "gauzy" and "sensual" production including a "seductive", "aching" hook is meant to "amplify a sense of anticipation", with a "beat that buzzes and rolls somehow synesthetically", and the song was written "rhythm-first", with verses described as being sung "nearly rapped" for their cadence, speed, and relaxed vocal quality, over a "backdrop" that "thumps neatly" and "".
• " In his Substack-published "Consumer Guide" column, Robert Christgau said that, "In alphabetical order, it's alienated, all-embracing, catchy, complacent, crass, dirty, dissolute, facile, fucked up, funny, hedonistic, insular, licentious, light-hearted, materialistic, mumbly, rich, scared, sexist, 'trap', unpretentious, woozy, and wrong.
• The Patchwork Girl of Oz (1914) – The Woozy, a Quaintness / The Zoop, A Mystery / Mewel, who is Everybody's Friend.
• Mehan Jayasuriya of Pitchfork called the track a "crown jewel" on the album, and said that the "woozy song zeroes in on the sweet spot between Keef's hard-charging flows and Uzi's impressionistic yelps".
• It kicks off with the quintessentially Raindogs-era Waits barroom piano and squalling woodwind of "King Of The Ball", followed by the woozy (and very Lynchian) lounge-jazz of "Vinegar Hill", but switches mood thereafter, with most of the remaining songs occupying sombre ballad territory.
• Guy Oddy from The Arts Desk wrote "Spaced-out vocals and lo-fi production entwined with mellow, soulful grooves that are woozy and mellow predominate for much of Rose Pink Cadillac", adding "It's a perfect album for chilling out with the one you love and dreaming about hot summery days spent relaxing in the sunshine".
• Rev Rev Rev's Kykeon has been defined on American print magazine Big Takeover "Abrasive, fuzzed-up and feedback-jammed amalgamation of woozy shoegaze warp, psychedelic noir drone and corrosive noise rock".

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