Definition, Meaning, Synonyms & Anagrams | English word ANAPEST


ANAPEST

Definitions of ANAPEST

  1. (prosody) In qualitative metre, a metrical foot consisting of three syllables, two unstressed and one stressed (e.g., the word "interrupt").
  2. (prosody) In quantitative metre, a metrical foot consisting of three syllables, two short and one long (e.g., Latin pariēs: pa-ri-ēs).
  3. (prosody) A fragment, phrase or line of poetry or verse using this meter. For an example, see References.

1

6

Number of letters

7

Is palindrome

No

16
AN
ANA
AP
APE
ES
EST
NA
NAP
PE
PES

7

7

414
AA
AAE
AAN
AAP
AAS
AAT
AE
AEA
AES

Examples of Using ANAPEST in a Sentence

  • But they may also be described using terms borrowed from the metrical feet of poetry: iamb (weak–strong), anapest (weak–weak–strong), trochee (strong–weak), dactyl (strong–weak–weak), and amphibrach (weak–strong–weak), which may overlap to explain ambiguity.
  • In the Berlin version Bely changed the foot of his rhythmic prose from anapest to amphibrach, and removed ironical passages related to the revolutionary movement.
  • The meter is iambic tetrameter, with each line having four two-syllable feet, though in almost every line, in different positions, an iamb is replaced with an anapest.
  • De mensurabili musica describes six rhythmic modes, corresponding to poetic feet: long–short (trochee), short–long (iamb), long–short–short (dactyl), short–short–long (anapest), long–long (spondee), and short–short (pyrrhic).
  • It also features sul ponticello playing, an extended technique involving use of the upper harmonics of the strings, and makes use of an anapest rhythm which recurs throughout Shostakovich's oeuvre.
  • This comment about the absence of anapest and trochee has been interpreted to mean that the music was not based on the usual “walking” meters, since the chorus sings the stasimon while remaining in the orchestra.
  • The shots in these rhythmic units mimic in their length pattern some of the known metrical feet of poetry such as iamb (short-long), anapest (short-short-long) and trochee (long-short).
  • The six rhythmic modes set out by the treatise are all in triple time and are made from combinations of the note values longa (long) and brevis (short) and are given the names trochee, iamb, dactyl, anapest, spondaic and tribrach, although trochee, dactyl and spondaic were much more common.



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