Definition, Meaning & Anagrams | English word ARS


ARS

Definitions of ARS

  1. Initialism of acute radiation syndrome.
  2. Initialism of acute retroviral syndrome.
  3. plural of ar.
  4. plural of AR.

5
ASR
RAS
RSA
SAR
SRA

Number of letters

3

Is palindrome

No

2
AR
RS

391



12
AR
ARS
AS
ASR
RA
RAS
RS
RSA
SA
SAR
SR
SRA

Examples of Using ARS in a Sentence

  • Rather than starting from the early 14th-century ars nova, the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the contenance angloise style from Britain to the Burgundian School.
  • Ars Magica is a role-playing game set in 'Mythic Europe' – a historically grounded version of Europe and the Levant around AD 1200, with the added conceit that conceptions of the world prevalent in folklore and institutions of the High Middle Ages are factual reality (a situation known informally as the "medieval paradigm").
  • Acute radiation syndrome (ARS), also known as radiation sickness or radiation poisoning, is a collection of health effects that are caused by being exposed to high amounts of ionizing radiation in a short period of time.
  • Holy Dying was the "artistic climax" of a consolatory death literature tradition that had begun with Ars moriendi in the 15th century.
  • Ars Technica also noted that AOL failed to effectively monetize or find a larger audience for Winamp.
  • Preserved by a series of fragmentary papyruses which attest its popularity, it served as a source of inspiration for Ovid's Ars Amatoria, written around 3 BC, which is partially a sex manual, and partially a burlesque on the art of love.
  • His lost Ars, a system of grammar much used in his own time and largely drawn upon by later grammarians, contained rules for correct diction, illustrative quotations and discussed barbarisms and solecisms.
  • English verse translations of Horace, Odes and Carmen Saeculare (1863), Satires, Epistles and Ars Poëtica (1869).
  • These tendencies are strikingly shown in his editions of the Epistles and Ars Poetica of Horace (1869), the Satires of Juvenal (1859) and in the supplementary essay Der echte und unechte Juvenal ("Genuine and fraudulent Juvenal," 1865).
  • ARS has more than 150 librarians and other information specialists who work at two NAL locations—the Abraham Lincoln Building in Beltsville, Maryland; and the DC Reference Center in Washington, D.
  • Johannes Gutenberg himself may have printed editions of Ars Minor, a schoolbook on Latin grammar by Aelius Donatus.
  • In demonology, Halphas (listed in Skinner & Rankine's edition as Malthas, and in the Crowley/Mathers edition as Halphas, Malthus, or Malphas) is the thirty-eighth demon in the Ars Goetia in the Lesser Key of Solomon (forty-third in Johann Weyer's Pseudomonarchia Daemonum), ranked as an earl.
  • A curious characteristic of this spirit is alleged in almost all copies of the Ars Goetia in English, that during the evocation of Asmodai to visible appearance, the exorcist must stand upright with his cap or headdress removed in a show of respect, because if he does not do so, then Amaymon will deceive him and doom all of his work.
  • An abridgment of a grimoire similar in nature to the Ars Goetia (first book of The Lesser Key of Solomon), it contains a list of demons, and the appropriate hours and rituals to conjure them.
  • The Pseudomonarchia Daemonum, Thomas Rudd's variant of the Ars Goetia, and the Dictionnaire Infernal go into more detail than the Lesser Key, with Gamigin forcing the souls of those who drowned into "airy bodies" to answer questions in either, with Weyer and de Plancy further claiming that Gamigan can do likewise for souls "which dwell in purgatorie (which is called Cartagra, that is, affliction of soules)".
  • These include The Lesser Key of Solomon (in the Ars Goetia), Johann Weyer's Pseudomonarchia Daemonum, Jacques Collin de Plancy's Dictionnaire Infernal, the Livre des Esperitz (as "Poymon"), the Liber Officiorum Spirituum (as Paimon), The Book of Abramelin, and certain French editions of The Grimoire of Pope Honorius (as Bayemon); as well as British Library, Sloane MS 3824.
  • These students then hired scholars from the city's pre-existing lay and ecclesiastical schools to teach them subjects such as liberal arts, notarial law, theology, and ars dictaminis (scrivenery).
  • Composers and some theorists argue that there is indeed no such thing as true "absolute (ars gratia artis) music" and that music always at least conveys or evokes emotions.
  • According to Paolo Trovato, who cites as source Sebastiano Timpanaro, the principle was first codified by Jean Leclerc in 1696 in his Ars critica.
  • Art festivals such as FILE Electronic Language International Festival (São Paulo), Transmediale (Berlin), Prix Ars Electronica (Linz) and readme (Moscow, Helsinki, Aarhus, and Dortmund) have devoted considerable attention to the medium and through this have helped to bring software art to a wider audience of theorists and academics.
  • Jonathan Tweet (born 1965) is an American game designer who has been involved in the development of the role-playing games Ars Magica, Everway, Over the Edge, Talislanta, the third edition of Dungeons & Dragons and 13th Age, and the collectible miniatures game Dreamblade.
  • In a use going back to Jacob Bernoulli's Ars Conjectandi, the term figurate number is used for triangular numbers made up of successive integers, tetrahedral numbers made up of successive triangular numbers, etc.
  • The origins of the madrigal are obscure, and debated, with one school of thought seeing it as a secular mutation of the conductus of the ars antiqua, and another seeing it as deriving from 13th-century secular monophonic song with an improvised accompaniment.
  • Aelius Festus Aphthonius is believed to be the author (otherwise unknown) of a Latin work called De metris omnibus ("About all the metres") incorporated as part of the Ars Grammatica of the fourth-century AD Christian writer Gaius Marius Victorinus.
  • All but one of his compositions is monophonic, representing the end of the trouvère tradition and the beginning of the polyphonic ars nova style centered around the formes fixes.



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