Definition & Meaning | English word BERLIOZ


BERLIOZ

Definitions of BERLIOZ

  1. A surname, usually applying to French composer Hector Berlioz

Number of letters

7

Is palindrome

No

8
BE
BER
ER
IO
LI
OZ
RL

1

1

252
BE
BEL
BER
BEZ
BI
BIE
BIL

Examples of Using BERLIOZ in a Sentence

  • Rob Roy Overture, a musical composition by Hector Berlioz inspired by the novel, composed in 1831 and first performed at the Paris Conservatoire on 14 April 1833.
  • The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession.
  • Berlioz wrote semi-autobiographical programme notes for the piece that allude to the romantic sufferings of a gifted artist who has poisoned himself with opium because of his unrequited love for a beautiful and fascinating woman (in real life, the Shakespearean actress Harriet Smithson, who in 1833 became the composer's wife).
  • January 17 – Felix Weingartner makes his Boston debut conducting the New York Symphony Orchestra in program that includes Symphonie fantastique by Hector Berlioz.
  • His public career, lasting from then until his death, during which he remained a dominating figure in the world of opera, was summarized by his contemporary Hector Berlioz, who claimed that he 'has not only the luck to be talented, but the talent to be lucky.
  • Colin Davis (conductor) the Ambrosian Singers, the Wandsworth School Boys Choir & the London Symphony Orchestra & Chorus for Berlioz: The Damnation of Faust.
  • Colin Davis (conductor), Russell Burgess, Arthur Oldham (choir directors) the Wandsworth School Boys Choir & the London Symphony Orchestra & Chorus for Berlioz: Requiem.
  • John Eliot Gardiner (choir director), the Monteverdi Choir & the Orchestre Révolutionnaire et Romantique for Berlioz: Messe Solennelle.
  • His repertoire was broad, but among the composers with whom he was particularly associated were Mozart, Berlioz, Elgar, Sibelius, Stravinsky and Tippett.
  • The audience includes Napoleon III (new Emperor of France), Berlioz, the terminally ill Chopin, and Turgenev.
  • With the Orchestre Révolutionnaire et Romantique Gardiner has performed a wide range of Classical and Romantic music, including many works of Berlioz and all of Beethoven's symphonies.
  • Her repertoire there also included The Dyer's Wife in the Met's first performances of Die Frau ohne Schatten by Richard Strauss, then (in 1969) the Marschallin in Der Rosenkavalier, Klytemnestra in Elektra, Ortrud in Wagner's Lohengrin, Brangäne in Tristan und Isolde, Fricka in both Das Rheingold and Die Walküre, Waltraute in Götterdämmerung, Kundry in Parsifal, the title role in Beethoven's Fidelio, Didon in Les Troyens by Berlioz, Charlotte in Massenet's Werther, and Amneris in Verdi's Aida.
  • Ten Masterpieces of Music deals with works in ten different genres by ten different composers: Mozart, Beethoven, Schubert, Schumann, Berlioz, Verdi, Brahms, Sibelius, Prokofiev, and Stravinsky; it provides descriptive analyses of the ten compositions plus commentary on and historical background to the life of each composer (Ten Masterpieces of Music, New York: Liveright, 2021).
  • In 1852 he moved to Hanover, at the same time dissociating himself from the musical ideals of the 'New German School' (Liszt, Richard Wagner, Hector Berlioz, and their followers, as defined by journalist Franz Brendel).
  • He became known as a champion of Hector Berlioz, and befriended Arthur Honegger, Albert Roussel, and Francis Poulenc.
  • Fetis had the privilege to have Paganini, Schumann and Berlioz as contemporaries and to work with the violin maker and dealer, Jean Baptiste Vuillaume.
  • Roméo et Juliette is a seven-movement symphonie dramatique for orchestra and three choruses, with vocal solos, by French composer Hector Berlioz.
  • In 1910, mother cat Duchess and her three kittens, Berlioz, Marie, and Toulouse, live in Paris with retired opera diva Madame Adelaide Bonfamille, and her English butler, Edgar.
  • Conceived at various times as a free-form oratorio and as an opera (Berlioz ultimately called it a "légende dramatique") its travelogue form and cosmic perspective have made it an extreme challenge to stage as an opera.
  • But its overture sometimes features in orchestral concerts, as does the concert overture Le carnaval romain which Berlioz composed from material in the opera.



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