Definition & Meaning | English word CHOREOGRAPHIES

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Definitions of CHOREOGRAPHIES

1. plural of choreography.

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Examples of Using CHOREOGRAPHIES in a Sentence

• The majority of surviving choreographies from the period are English country dances, such as those in the many editions of Playford's The Dancing Master.
• A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing.
• 1912's El Garrotin, based on a popular song La Corrida, music by Valverde (taken from choreographies created in 1910 for the opérette L’Amour en Espagne Tango Andalou, music by Ballesteros).
• The work of Maurice Béjart is at the heart of this repertoire, with emblematic choreographies, as The Rite of Spring, Boléro, The Ninth Symphony or Ballet for Life but Gil Roman also wants to present the variety of this repertoire, with Piaf or The Magic Flute for example.
• The Sokolow Theatre/Dance Ensemble, founded by Jim May, performs Sokolow's repertory plus contemporary choreographies under the direction of Artistic Director Samantha Géracht and co-artistic directors Lauren Naslund and Eleanor Bunker.
• In 1943 they performed in the revue Sognamo insieme by Nelli and Mangini, with Wanda Osiris (then known as Vanda Osiri), Carlo Dapporto, Letizia Gissi, Nino Gallizio and Gianna Giuffré, with original musical compositions by Giuseppe Anepeta and choreographies by Vera Petri, directed by Mario Mangini himself.
• Tifos and choreographies have become increasingly popular in ice hockey around Europe in the 2000s along with ultras and hooligan culture with some of the biggest organized groups in Sweden, Switzerland and Finland.
• Among his following choreographies were Romeo and Juliet by William Shakespeare in 1962, set to music by Prokofiev, Onegin in 1965, an adaptation of the verse novel Eugene Onegin by Alexander Pushkin, set to music by Tchaikovsky (mainly piano music, including The Seasons and music from lesser-known operas), orchestrated by Kurt-Heinz Stolze, The Taming of the Shrew by Shakespeare in 1969 using keyboard music by Domenico Scarlatti, Brouillards in 1970, Carmen in 1971 (music by Wolfgang Fortner and Wilfried Steinbrenner)' Initials R.
• He requested permission to use de Falla's already-completed Noches en los jardines de España (Nights in the Gardens of Spain) and the work-in-progress El corregidor y la molinera for future choreographies, but only managed to secure permission for the latter.
• During the Quattrocento balli were written by various composers, primarily the dance masters Domenico da Piacenza and Guglielmo Ebreo da Pesaro, who also wrote treatises including choreographies to their works.
• Actions such as exhibition of choreographies (like throwing smoke bombs, firecrackers, confetti and balloons and displaying giant flags that cover entire stands, or part of them, before the match's start) to welcome the team when it goes out to the pitch; waving and displaying of flags, banners and umbrellas; and coordination of chants (that accompany playing bass drums and trumpets and end up being sung by part or the rest of their team's crowd in the stadium while jumping or applauding) during the whole match, are characteristic of their fervent behavior, whose purpose is to encourage their team while intimidating referees and rival fans and players, for which they also provoke violence.
• While in this early forties, he discovered Guru Meenakshi Sundaram Pillai of Pandanallur style under whom he started learning Bharatanatyam, followed by Muthukumaran Pillai; he also learned Kathak from Sohanlal and Bowri Prasad and even Manipuri dance, all of which he assimilated into his choreographies in the coming decades.
• It described the musical performance as an "indescribable resonant cacophony" and considered that the choreographies were "a nullity having equalled only by the stupidity".
• These masterworks were supplemented by choreographies of his own, including La Nuit de Mai (music, Leoncavallo), Les Saisons (Glazunov), Sonatine pour Violon et Percussion (Pierre Métral), Pierre et le Loup (Prokofiev), Le Carnaval des Animaux (Saint-Saěns), Nuit Transfigurée (Schoenberg), and Concerto pour Percussion, Piano, et Orchestre à Cordes (Tomás Swoboda).
• In his first season Legris created all together eight premieres, including the triple bill evening "Juwelen der Neuen Welt" (Jewels of the New World) featuring ballets by George Balanchine (Theme and Variations, Rubies), Twyla Tharp (Variations on a Theme by Haydn) and William Forsythe (The Vertiginous Thrill of Exactitude), Schritte und Spuren (Steps and Traces) with choreographies by Jorma Elo (Glow – Stop), Jiří Bubeníček (Le Souffle de l´Esprit), Paul Lightfoot and Sol León (Skew-Whiff) and Jiří Kylián (Bella Figura), Don Quixote by Rudolf Nureyev after Marius Petipa, and Hommage an Jerome Robbins (Homage to Jerome Robbins) including his ballets Glass Pieces, In the Night and The Concert and the Nureyev Gala 2011 at the Vienna State Opera.
• He created the first ballet with a Nordic subject (Lagertha, 1801, based on the legendary Viking shieldmaiden), as well as the first choreographies inspired by William Shakespeare (Romeo and Juliet, 1811, and Macbeth, 1816), with music written by Claus Schall.
• Between 1986 and 2003 she ran with Jean Guizerix the Piollet-Guizerix company presenting choreographies like Gondolages, Giselle échappée, L'éléphant et les faons, Tierce galante.
• Huy An has participated in a number of exhibitions and performance art festivals including 78 rhythms, Galerie Quynh, Vietnam (2014) and Skylines with Flying People 3 at MoT+++, Vietnam (2016); Disrupted Choreographies, Carré d'Art – Musée d'Art Contemporain, Nîmes, France (2014); If The World Changed, Singapore Biennale (2013); Sounds of dust (somniloquy), 943 Studio Kunming, China (2011).
• The DVD also includes the Rouge girls teaching the choreographies of their most famous songs like Ragatanga, Não Dá pra Resistir, Brilha La Luna, Beijo Molhado, Me Faz Feliz, Vem Cair na Zueira and C'est La Vie.
• Between 1977 and her death, she created choreographies of works which have become iconic pieces for the Workshop, including: El capote (The cloak), Historia del soldado (History of the soldier), Las casas de Colomba (The houses of Colomba, inspired by Tennessee Williams's iconic play A Streetcar Named Desire), Paralelo al horizonte (Parallel to the horizon), Suite de percal (Suite of percale) and Y ella lo visitaba (And she visited it).

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