Definition & Meaning | English word LARGHETTO


LARGHETTO

Definitions of LARGHETTO

  1. The larghetto tempo.
  2. A composition or movement to be played larghetto.
  3. (music) Slower than adagio but not as slow as largo; nearly andantino.

Number of letters

9

Is palindrome

No

18
AR
ARG
ET
ETT
GH
GHE
HE
HET
LA
LAR
RG

1

1

911
AE
AEL
AEO
AER
AET
AG
AGE
AGH

Examples of Using LARGHETTO in a Sentence

  • The opening aria, "Ombra mai fu", sung by Xerxes to a plane tree (Platanus orientalis), is set to one of Handel's best-known melodies, and is often known as Handel's "Largo" (despite being marked "larghetto" in the score).
  • The work is in two movements; the first, Allegro con moto, is lively and technically challenging and the second begins with a lyrical Larghetto, featuring soaring lines in the saxophone's upper register.
  • The tempo of the first version of Spiegel im Spiegel is 69 bpm (larghetto or adagio) and has a more somber feel.
  • Recitative „Erzittre, Erde, Jehovahs Sohn liegt hier“ in A major – Aria (Larghetto) „Preist des Erlösers Güte“ in G major – Chorus (Allegro) „Oh, Heil euch, ihr Erlösten!“ in G major.
  • Originally composed to be sung by a soprano castrato (and typically sung in modern performances of Serse by a countertenor, contralto or a mezzo-soprano; sometimes even by a tenor or high baritone an octave below), it has been arranged for other voice types and instruments, including solo organ, solo piano, violin or cello and piano, and string ensembles, often under the title "Largo from Xerxes" or (as in Thornton Wilder's Our Town) simply "Handel's Largo", although the original tempo is marked larghetto.
  • Romance, Consolation (Proms premiere 24 September 1902), Gavotte Sentimentale, L'Adieu (Proms premiere 16 October 1897 with Squire playing cello), Larghetto in D, Old Swedish Air, Tzig-Tzig (Proms premiere 13 October 1898 with Squire playing cello), Prière, Slumber Song / Entr'acte (Proms premiere 16 September 1899 with Squire playing cello), Rêve D'Amour (Proms premiere 13 October 1898 with Squire playing cello), Madrigal in G.
  • Piano Sonata, 6 Bagatelles, and world premiere recordings of Pantomime, Andante, Sarabande, Air, Larghetto, Sonatine, Hommage, Three Etudes, Impromptu,Three Movements for Piano.
  • Orchestral Works (España (Chabrier), Suite pastorale, Joyeuse marche, excerpts from Le roi malgré lui), with Barbara Hendricks (À la musique), Susan Mentzer (La Sulamite) and Pierre Del Vescovo (Larghetto).
  • The aria's two halves reverse the usual order of cavatina followed by cabaletta: in the first, a quick Allegro in 4/4, Leporello has a patter summarizing the number and occupations of Don Giovanni's lovers, while in the second, an Andante con moto in 3/4, in the style of a polonaise (with a melody similar to that of the Larghetto of Mozart's earlier Quintet for Piano and Winds), he describes his approaches and preferences, while Donna Elvira presumably listens in horror.
  • HWV 300 – G minor, after HWV 324 : largo e affettuoso, a tempo giusto, musette larghetto, allegro, allegro.
  • For example, he replaced the classical symphonic pattern (Allegro - Larghetto - Allegretto Scherzo - Allegro Vivace) with a sequence of Ecuadorian folk dances:.
  • Allegro, molto fuoco - Tempo poco larghetto - Tempo primo - Poco lento - L'istesso tempo (Doppio) - Cadenza - Grandioso - brilliante.
  • By age 18, he had developed considerable ability, performing the maestoso, larghetto, and andantino sections of Niccolò Paganini's Le Streghe (Witches’ Dance), Op.



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