Anagramas & Información sobre | Palabra Inglés FRAC

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Ejemplos de uso de FRAC en una oración

• The industry-sponsored Fungicide Resistance Action Committee (FRAC) advises on the use of fungicides in crop protection and classifies the available compounds according to their chemical structures and mechanism of action so as to manage the risks of pesticide resistance developing.
• In 2010 they presented 'Swing Project 1' in the FRAC Champagne-Ardenne, Reims and in 2012 'Swing Project 2' at Galerie Neu, Berlin.
• Indeed, the modern French word for a tail coat is "un frac" which better betrays the historical relationship between the tail coat and the frock.
• JAMES WINES & SITE - ARCHITECTURE DANS LE CONTEXTE - catalogue and monograph based on the Architecture in Context exhibition of 35 years of James Wines and SITE's built and unbuilt projects, showing early Landsite sculptures, watercolor renderings and architectural models - Musee des Beaux Arts d'Orleans, France - Collection FRAC Centre - HYX Publishers: Orleans, France 2002.
• The largest breakthrough in the Barnett came in 1997, when Mitchell Energy petroleum engineer Nick Steinsberger suggested that a slickwater frac, which was being successfully used by other companies in wells to the Cotton Valley Sandstone of east Texas, might work better in the Barnett Shale than the gel fracs.
• The most recent palio win for Oca was in the August 16, 2023 race, with jockey Carlo Sanna riding Zio Frac.
• Meiryo supports the following OpenType layout features for Cyrillic, Greek, Han Ideographic, Kana, Latin scripts: nalt, afrc, dnom, dlig, frac, fwid, hwid, hkna, ital, jp78, jp83, jp90, numr, qwid, ruby, sinf, zero, smcp, c2sc, liga, sups, twid, vkna, vrt2, vert, kern.
• Lothar Hempel's work has been included in the exhibitions Heaven, Athens Biennale (2009), Le Song D’un Poete, Frac des Pays de la Loire, Nantes (2009); Beaufort 03, Triennial for Contemporary Art, Blankenberge (2009); 7th Gwangju Biennial (2008); Pale Carnage, Arnolfini, Bristol and DCA, Dundee (2007); Imagination becomes Reality.
• Solo exhibitions of her work have been held in Canada at the National Gallery of Canada; Art Gallery of Ontario, Toronto;McCord Museum, Montreal; Design Exchange, Toronto; Musée d’art contemporain de Montréal; and Presentation House Gallery, Vancouver; as well as internationally at the Museum für Gestaltung, Zurich; Chinati Foundation, Marfa, Texas; FRAC, Limousin, Limoges; Museum voor Fotografie, Antwerp; Centro de Fotografía, Salamanca; Musée de l'Elysée, Lausanne; Image/Imatge, Orthez, France; Museum für Photographie, Braunschweig; Fototeca, Havana; Le Point du Jour, Cherbourg-Octeville; Fundació Mapfre, Madrid, Córdoba; Bilbao, Museum of Contemporary Art; UMass, Amherst; and at the Centro de la Imagen, Mexico City.
• Work by the artist is represented in permanent collections worldwide, including the Whitney Museum of American Art, New York; Fonds Régional d’Art Contemporain (FRAC) Nord-Pas de Calais, Dunkerque, France; Colección Jumex, Mexico City; the Institute of Contemporary Art, Boston; the Solomon R.
• Aargauer Kunsthaus, Aarau; Kunstmuseum, Basel, Kupferstichkabinett, Basel; Christoph Merian Stiftung, Basel; Musée des Beaux-Arts, Beauvais; Musée du Dessin et de l’Estampe Originale de Gravelines; Musée Louis Senlecq, L’Isle-Adam; Bibliothèque nationale, Paris; Centre Pompidou, Paris; Collection de la ville de Paris; FRAC Ile-de-France, Paris; Musée des Beaux-Arts, Rennes; Musée de l’Isle de France, Sceaux.
• The soundtrack includes original themes by Riz Ortolani, and Italian 1960s hits such as "Saint Tropez Twist" by Peppino di Capri, "Quando, quando, quando" performed by Emilio Pericoli, "Guarda come dondolo" and "Pinne fucile ed occhiali" by Edoardo Vianello and "Vecchio frac" by Domenico Modugno.
• The results were mixed, but confirmed that the Middle Bakken was saturated with producible oil, and would respond to a frac.
• Bristol Museum and Art Gallery, Bristol; Carré d’Art - Museum of Contemporary Art Nîmes, Nîmes; Centre National d´Art et de Culture Georges Pompidou, Paris; FNAC, Centre National des Arts Plastiques, Paris, France; FRAC Languedoc Roussillon, Montpellier, France; Glasgow Gallery of Modern Art, Glasgow; Guggenheim Museum, New York; Hamburger Bahnhof, Berlin; Hamburger Kunsthalle, Hamburg; Hirschhorn Museum, Washington DC; IFEMA, Madrid, Spain; Kunsthaus Zürich, Zurich; Kunstmuseum Stuttgart, Germany; Mathaf: Arab Museum of Modern Art, Doha; MUMOK, Museum Moderner Kunst, Vienna; Museion, Bolzano; Museo Reina Sofia, Madrid; Museum für Moderne Kunst, Frankfurt/Main; Museum of Contemporary Art, Athena, Greece; MOMA, Museum Of Modern Art, New York; San Francisco Museum of Modern Art, San Francisco, California; Serralves, Porto; Stedelijk Museum, Amsterdam; TATE Modern, London; The British Museum, London; The Metropolitan Museum of Art, New York; Walker Art Center, Minneapolis; Whitney Museum of American Art, New York.
• The traveling exhibition SOFT WORK was exhibited at FRAC Champagne-Ardenne, Riems, France and the Centre d'Art Contemporain, Geneva, Switzerland; and Bonniers Konsthall, Stockholm, Sweden and Museo d'Arte Contemporanea, Rome, Italy.
• Frac hit: A frac hit is a form of interwell communication in which hydraulic fracturing on a new well forces high pressure fluids through a shared subsurface reservoir with offset (nearby producing wells), creating a pressure spike that can damage offset wellbores and impact production efficacy.
• Agnes Denes: Work 1969 - 2013, curated and edited by Florence Derieux, FRAC Champagne-Ardenne, Firstsite Colchester, Mousse Publishing, 2013-2016.
• Recent group exhibitions have been presented at Castello Di Rivoli, Turin (2022); Documenta 14, Athens and Kassel (2017); The Garden Sees, Megaron, Athens (2017); #Resist, Goethe-Gallery & Black Box Studio, Hong Kong (2017); the Frac des Pays de la Loire, Carquefou (2016); the Devi Art Foundation with Salima Hashmi, New Delhi (2016); MDE'15, Colombia (2015); Kemper Art Museum, St.
• Thus, the portfolios of serigraphs produced for the publisher Bernard Chauveau on the occasion of the realization of the Macro, the Frac Bretagne or the restaurant Phantom at the Opéra Garnier are graphic deconstructions of the elements of the projects; the same is true of the series of ALOD plates made in 2016.
• The duo has also featured in exhibitions at the Irish Museum of Modern Art, Tate Britain, Whitechapel Gallery, New Museum, La Maison Rouge, Aldrich Contemporary Art Museum, David Zwirner Gallery and me Collectors Room Berlin, and can be found in the collections of the Metropolitan Museum of Art, Museum Boijmans van Beuningen, Kupferstichkabinett Berlin, FRAC (Fonds régional d'art contemporain) Picardie, Les Abattoirs and Whitworth Art Gallery.

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