Sinónimos & Información sobre | Palabra Inglés SEMI-NUDE

Ejemplos de uso de SEMI-NUDE en una oración

• After being fired, she found employment as a chorus girl in George White's Scandals and as a semi-nude dancer in the Ziegfeld Follies in New York City.
• Sex shows are distinguished from entertainment such as striptease, pole dancing and lap dance, which do not involve sexual activity other than undressing and dancing nude or semi-nude.
• Playgirl was an American magazine that had historically featured pictorials of nude and semi-nude men alongside general interest, lifestyle, and celebrity journalism, as well as original fiction.
• His best-known work is notable for its hand-tinted portrayal of painterly dream worlds, often inhabited by nude or semi-nude figures surrounded by bare plaster walls or painted backdrops.
• Waggoner was also considered a sex symbol, having done a semi-nude pictorial in the first issue of Playgirl.
• The collection also contains an eclectic mix of decorative art with many pieces by acknowledged masters, including Renaissance jewellery, medieval, Byzantine and Renaissance ivories, enamels, bronzes, Italian maiolica, tapestries, furniture and Sèvres porcelain, as well as a life size marble sculpture by Bergonzoli of an angel kissing a semi-nude woman entitled "The Love of Angels".
• He has produced seven photo books featuring nude and semi-nude male models, titled Straight Boys, Twins, Jeff, Boys Next Door, Happy 2gether, Straight Boys Volume 2, and Rassle.
• The troupe received wider press coverage during June 1999, when Playboy featured a Pussycat Dolls pictorial, featuring at least seven contemporary members posing semi-nude (Kasey Campbell, Kiva Dawson, Antonietta Macri, Erica Breckels, Katie Bergold, Erica Gudis and Lindsley Allen).
• The Chicago Board of Censors required, in Chapter 1, an attack by an ape-man be flashed and one on a chauffeur be cut; in Chapter 2, to flash an attack on a man; in Chapter 3, cut three scenes that showed a painting of a semi-nude woman and to flash a scene where the men in the foreground have a drink; in Chapter 4, cut a scene of a man at a bar shooting another man; in Chapter 6, cut the slugging of an Indian on the head with a rifle; in Chapter 7, cut two fight scenes, three struggle scenes of girl on stairs, all closeups of man with rope around neck, seven views of pulling of rope, view of man's body swinging in air, and the shooting of an Indian; in Chapter 11, the holdup and binding of the couple and two scenes of placing dynamite on the bridge; in Chapter 12, a closeup of the choking of a man; in Chapter 15, slugging a soldier and two scenes of men falling from horse; in Chapter 16, the last two scenes of dragging the young woman, man falling over after being shot, man falling over rock, two scenes of man laying on rock after being shot, man falling after shooting, and flash all scenes of gila monster.
• For example, the Chicago Board of Censors required cuts, in Chapter 2, Reel 1, the shooting of a man in a house; in Chapter 4, Reel 2, shortened the scene of man choking a young woman and cut the closeup of her being choked; in Chapter 5, Reel 1, Arab choking young woman, shooting Arab and his falling, and, Reel 2, shooting Arab and his falling; in Chapter 6, Reel 1, two scenes of shooting black man and white man, closeup of King and soldier in knife duel on floor and scene on platform where knife descends, Reel 2, placing young woman on block and last two torture scenes were machine descends; in Chapter 7, Reel 1, closeup of strangling young woman, two close views of young woman chained to rack, two scenes of spikes descending, and, in Reel 2, closeup of knives suspended over men's heads; in Chapter 8, Reel 1, swords suspended over bound men, two scenes of attacks on natives inside house, reduce to half seven scenes of natives shooting at soldiers, Reel 2, two scenes of choking natives, all views of young woman where her figure is clearly shown through her draperies to include scene where she is shown in group in harem and five scenes of her struggling with natives, two fight scenes in which natives are beaten, and two choking scenes; in Chapter 9, Reel 1, flash scene of semi-nude young woman after she is pulled from tank, shooting man at bank, and shooting man and his falling; in Chapter 10, two closeups of binding young woman's hands and feet; in Chapter 11, Reel 1, shooting man and man falling from horse and, Reel 2, shooting man and man falling down cliff;, in Chapter 14, Reel 1, two scenes of muffling young woman, Reel 2, scene of man with spear in back, four scenes of binding man and young woman to posts and lighting fire under them, shooting native, and native with spear in back, and, in Chapter 15, Reel 1, two closeups of man's bloody face.
• Having provided this obligatory glimpse of a semi-nude woman, Not Now, Comrade settles into the familiar round of harmless double entendres buried in the ramifications of a mistaken-identity plot played by the familiar troupers of British farce – Roy Kinnear, the gardener perpetually on the point of repressed sexual combustion; Leslie Phillips, still the self-regarding gay blade, here complete with naval beard and yellow Bentley; June Whitfield, Nancy's homely Mum; Windsor Davies, the doubting hob-nailed Constable, and Don Estelle, arbitrarily brought on in the last reel to partner him in yet another re-run of their Indian Army routine.
• The singer performed Prince's "Darling Nikki" with three semi-nude female dancers whom she spanked, groped and pretended to smack with a cane.
• The painting is one of seven portraits that Spencer painted of his wives between 1933 and 1937, all nude or semi-nude: one of his first wife, Hilda Carline; four of his second wife, Patricia Preece; and two double portraits of Spencer and Preece together.
• For example, the Chicago Board of Censors required cuts, in Reel 2, of the second view of a letter with the words "We'll always be friends on the side", two near views of intoxicated young woman seated on table smoking cigarettes, flash two scenes of semi-nude man and woman dancing in restaurant, first view of intoxicated young woman standing against wall, two scenes of bouncing young woman on tapestry and following scene of men carrying her off on their shoulders, scene of intoxicated woman on settee, and, Reel 4, the intertitle ending "That man has been her lover for years".
• This could have been a slightly better-than-ordinary exercise in romantic entanglements in the modern style, the virtues of marriage being fashionably disregarded, but the film makers have taken advantage of present-day permissiveness to spend much time on erotic wrestling and semi-nude women: time that detracts from rather than adds to the quite interesting self-inflicted dilemma of the story's anti-hero and slows the whole affair.
• For example, the Chicago Board of Censors required a cut, in Reel 1, of the intertitle "Colette is not that kind", the entire struggle incident including closeups of a man suggestively leering at a young woman, the woman's look of fear, the dragging of the woman towards the bedroom, and the two intertitles "Let me go or I'll kill myself" and "You are mine and there is no escape", in Reel 2, all closeups of men at a table looking salaciously at a young semi-nude woman on the table, the first and third scenes of the semi-nude woman on the table and a flash repetition of it in the second scene, and, in Reel 4, a man pulling the gown off of a woman's shoulder and kissing her.
• Retana mentioned in his memoirs later that Mytle performed semi-nude, imitating the Spanish dancer Carmen Tortola Valencia, under the name Perla de Oriente.
• The semi-nude female figure, her arms held tight across her body perhaps in modesty or "huddling" The landscape behind, with buildings but unfigured, and in "frostbitten turquoise", is seen inverted by refraction in the water vessel.
• The French author Claude Farrère refers often to the Cambodian mat in Les Petites Allées, Le Quadrille des Mers de Chine, and La Sonate à la Mer, as an exotic reference to the colonial fantasm, which can also be found in the novel Lélie, fumeuse d'opium published under pseudonym and illustrated with pin-up illustrations of nude and semi-nude women by Raphael Kirchner.

La preparación de la página tomó: 274,58 ms.