Anagrammeja & Tietoja | englanti sana GOBELINS

Esimerkkejä GOBELINS käyttämisestä lauseessa

• From 1754 he was granted premises, at first at the Manufacture des Gobelins, then, in 1756, in workshops and lodgings at the Arsenal.
• In 1813, Chevreul was appointed professor of chemistry at the Lycée Charlemagne, and subsequently undertook the directorship of the Gobelins tapestry works, where he carried out his research on colour contrasts.
• Marot was working independently as an engraver from an early age, making engravings of designs by Jean Bérain, one of Louis XIV's official designers at the Manufacture des Gobelins, where far more than tapestry was being produced.
• The Galerie des Gobelins is dedicated to temporary exhibitions of tapestries from the French manufactures and furnitures from the Mobilier National, built in the gardens by Auguste Perret in 1937.
• After his father's death from influenza in 1930, he was raised by his mother and maternal grandmother, Marguerite Dieterle Badin (1853–1940), the widow of Jules Badin (1843–1919), an artist who was the owner and director of the historic Gobelins Manufactory and Beauvais tapestry factories.
• This station is named after Avenue des Gobelins, which honoured the Gobelin family who manufactured dyes from the mid 15th century on the banks of the nearby river Bièvre (now covered in the area).
• His excellence was generally acknowledged; and having become known to Louis XIV he was appointed, on the recommendation of Le Brun, teacher at the academy established at the Gobelins manufactory for the training of workers in tapestry.
• The restaurant interior is decorated with gobelins and roccoco furniture in untraditional colourings such as pink, lime, lemon, and cerulean.
• The exterior was decorated with turrets and battlements, the staircase was graced by Finches griffin which made for imposing finials, the walls were lined by Gobelins tapestry and armour from Kirby Hall, and allegorical pictures made by his great aunt Lady Gordon, who was a pupil of Gainsborough.
• There is good furniture, including many pieces made for the house by Thomas Chippendale, and a room with tapestries from the Gobelins Manufactory made for Weston in the 1760s.
• The Necropole of the Gobelins, in the Faubourg Saint-Marcel, was smaller, and was used in the later, or Low Empire.
• There were a few large enterprises, including the dye factory of Gobelins, next to the Bièvre river, which made scarlet dye for the Gobelin royal tapestry workshop, the oldest factory in the city, founded at the end of the 17th century; the royal manufactory of Sèvres, making porcelain; the royal mirror factory in the faubourg Saint-Antoine, which employed a thousand workers; and the factory of Réveillon on rue de Montreuil, which made painted wallpaper.
• Establishment of the tapestry workshop of the Gobelins family beside the Bièvre River in the faubourg Saint-Marcel.
• In 1699, when Mansart was made Surintendant des Bâtiments, a position otherwise invariably reserved for a noble layman, de Cotte became his second-in-command in an executive function, charged with overseeing all the files of drawings, the stocks of marble and other materials including those for the royal manufactures of the Gobelins and Savonnerie, with overseeing the bidding process with contractors and with liaison with the Académie, of which he was made a member that same year.
• The best of the Savonnerie carpets were completed under the new contract granted in 1664 under the general direction of Jean-Baptiste Colbert, organized along lines similar to those employed in the Gobelins and commissioning the unequalled series of thirteen carpets for the Galerie d'Apollon and ninety-three for the Grande Galerie of the Louvre,The Grande Galerie du Bord de l'Eau that is the Louvre's present long paintings gallery.
• His animal studies were used as models for the animals appearing in the borders and foreground of a series of large tapestries, referred to as 'The Months' or 'The Royal Houses' (Maisons Royales) produced at the Gobelins tapestry workshop.
• His details of trophies of game or animals were used in cartoons for tapestry in which work of several painters was combined, woven at the Savonnerie and at the Gobelins (Portière de Diane, Louvre).
• His father Alexandre-Jean Oppenord (1639–1713) was an ébéniste, born Cander-Johan Oppen Oordt at Guelders, one of numerous cabinet-makers from the Low Countries who were drawn to Paris by the opportunity of patronage; the elder Oppenord was naturalized in 1679, when he was a menuisier en ebène ("furniture-maker in ebony") at the Manufacture Royale des Gobelins; in 1684 the elder Oppenord was appointed an ébéniste du Roi, with official lodgings in the Galeries du Louvre that had been perquisites in the royal gift of outstanding craftsmen in the luxury trades since the time of king Henri IV.
• Early Parisian ébénistes often came from the Low Countries themselves; an outstanding example is Pierre Gole, who worked at the Gobelins manufactory making cabinets and table tops veneered with marquetry, the traditional enrichment of ébénisterie, or "cabinet-work".
• Additionally, Delahaye appointed pastry chef Christophe Michalak at La Galerie des Gobelins and Philippe Marc as chef of Le Relais Plaza.
• Visitors can admire beautifully furnished rooms, in particular the Countess's Bedroom, 13th century kitchens and the great hall, admirably decorated with pictures and antique furniture dated between the 16th and 19th centuries, Louis XIII and Louis XIV furniture, a Gobelins tapestry from 1730 and others from Aubusson.
• An early neoclassical suite of six armchairs and a settee, to be covered in Gobelins tapestry, were provided to George Coventry, 6th Earl of Coventry for the Tapestry Room at Croome Court, Worcestershire (now at the Metropolitan Museum of Art) The "Antique Elbow Chairs" were the first neoclassical chairs in Europe with oval backs.
• At the Gobelins, much more than tapestry was made for the furnishing of the royal palaces and the occasional ambassadorial gift: the celebrated silver furnishings for the Galerie des Glaces at Versailles was produced by silversmiths working to designs by Charles Le Brun at the Gobelins.
• Utiliser After Effects pour émuler une multiplane traditionnelle in Les cahiers du designer; les cahiers de Gobelins, l'école de l'image, collective work.
• The Tapis de Savonnerie especially exemplify this tradition ("the superb carpets of the Savonnerie, which long rivalled the carpets of Turkey, and latterly have far surpassed them") which was further adapted to local taste and developed with the Gobelins carpets.

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