Synonymes & Anagrammes | Mot Anglaise SHYLOCK

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Exemples d’utilisation de SHYLOCK dans une phrase

• February 14 – Irish-born actor Charles Macklin makes his London stage debut as Shylock in The Merchant of Venice at the Theatre Royal, Drury Lane, pioneering a psychologically realistic style with Shakespeare's text revived, replacing George Granville's melodramatic adaptation The Jew of Venice.
• A merchant in Venice named Antonio defaults on a large loan taken out on behalf of his dear friend, Bassanio, and provided by a Jewish moneylender, Shylock, with seemingly inevitable fatal consequences.
• May – A strongly antisemitic production of Shakespeare's The Merchant of Venice is staged at the Burgtheater in Vienna, with Werner Krauss as Shylock.
• February 14 – Irish-born actor Charles Macklin makes his London stage debut as Shylock in The Merchant of Venice at the Theatre Royal, Drury Lane, pioneering a psychologically realistic style with Shakespeare's text revived, replacing George Granville's melodramatic adaptation The Jew of Venice.
• His award-winning Shylock (Anvil Press, 1996), about the tensions surrounding theatre's most famous Jewish character.
• He eventually took over the management of the Lyceum Theatre and brought actress Ellen Terry into partnership with him as Ophelia to his Hamlet, Lady Macbeth to his Macbeth, Portia to his Shylock, Beatrice to his Benedick, etc.
• Among his many and varied parts may be mentioned Hamlet, King Lear, Macbeth, Shylock, Richard III, Wolsey, Benedick in Much Ado About Nothing, Richelieu, David Garrick, Hernani, Alfred Evelyn, Lanciotto in George Henry Boker's (1823–1890) Francesca da Rimini, and Janies Harebell in The Man o' Airlie.
• In 2001, Soles took over the role of Shylock the Jew in the Stratford Festival of Canada production of The Merchant of Venice after Al Waxman, who was originally scheduled to play the part, died.
• Prem Nazir had his acting debut as Shylock in the play The Merchant of Venice (1951), when he was a student at SB College, Changanacherry.
• In Shakespeare's The Merchant of Venice, Portia, disguised as young lawyer Balthazar, begs Shylock to show mercy to her client Antonio:.
• Sollers appears as a character in Philip Roth's Operation Shylock (1993), Michel Houellebecq's novel Atomised (1998) and several novels by Marc-Édouard Nabe, including L'Homme qui arrêta d'écrire (2010).
• He also played Johnnie in Athol Fugard's Hello and Goodbye, Iago in Othello, Malvolio in Twelfth Night, and Shylock in The Merchant of Venice.
• In the 1970s, France saw the arrival of rock bands such as Téléphone, and Alan Stivell's Breton folk-rock as well as a wave of progressive rock bands like Ange, Afterlife, Bottom Blues, Magma, Gong (whether they are actually a French band is debatable), Triangle, Dynastie Crisis, Shylock, Eskaton, Atoll and Pulsar.
• In the play, Portia disguises herself as a young man and impersonates a judge; she also ruins Shylock, the moneylender.
• In The Merchant of Venice, William Shakespeare uses the phrase "Jewish gaberdine" to describe the garment worn by Shylock, and the term gaberdine has been subsequently used to refer to the overgown or mantle worn by Jews in the medieval era.
• Phelps made his début as Shylock in London at the Haymarket Theatre in 1837 and appeared under the management of William Charles Macready at the Theatre Royal, Drury Lane, who recognized Phelps as a potential rival and gave him little opportunity to display his talents, although Phelps did gain popularity in the roles of Captain Channel in Douglas William Jerrold's melodrama The Prisoner of War (1842), and of Lord Tresham in Robert Browning's A Blot in the 'Scutcheon (1843).
• During the following ten years he played at small theaters in Jihlava, Klagenfurt, Opava, Budapest, Leipzig, and Liebenstein; from 1874 to 1890 he was a member of the "Meininger", and appeared in such roles as Shylock, Iago, Gessler, Franz Moor, and Marinelli.
• That year he also played Shylock (The Merchant of Venice), Iago (Othello), Macbeth, Kitely (Ben Jonson's Every Man in His Humour), and Giles Overreach, and became the rival of Kemble, with whom, however, and with Mrs.
• Reception to the film's treatment of antisemitism was mixed, with some critics praising Radford's contextualizing choices but feeling that they were nonetheless unable to fully prevent Shylock from being an antisemitic caricature, and others feeling that Shylock's villainy was sanitized in order to make him into an overly sympathetic victim of prejudice.
• His later roles included Tony Comaradino in Booth Tarkington's Mister Antonic (1917), Albert Mott in Humpty Dumpty (1918), Juan Gallardo in Blood and Sand (1921), the title role in Sancho Panza in Melchior Lengyel's adaptation of Don Quixote (featuring Lucille Kahn in a supporting role), Sir John Falstaff in both Henry IV, part 1 (1926) and The Merry Wives of Windsor (1928), and Shylock opposite the Portia of Maude Adams (1931–32) in The Merchant of Venice.
• Notable roles at the RSC included Sir Hugh Evans in The Merry Wives of Windsor, 1968; Gower in Pericles, 1969; Feste in Twelfth Night, 1969; The Boss in Günter Grass' The Plebeians Rehearse the Uprising, 1970; The Cardinal in John Webster's The Duchess of Malfi, 1971; Shylock in The Merchant of Venice, 1971; Iago in Othello, 1971; the title role in King John, 1974; Mephistopheles in Christopher Marlowe's Doctor Faustus, 1974; Chorus in Henry V, 1975; the title role in Henry IV, Parts 1 and 2, 1975–76; York in Henry VI, parts I, II and III, 1977–78; Jaques in As You Like It, 1977; Edgar in Strindberg's The Dance of Death, 1978; Cassius in Julius Caesar, 1983; Malvolio in Twelfth Night, 1984; and Sir Giles Overreach in Philip Massinger's A New Way to Pay Old Debts, 1984.
• Paladino, who allegedly was in the shylock business with Matthew Ianniello, had been indicted for extortion and bribery in 1975.
• Joining The Globe Theatre in 1997 for its inaugural productions Henry V (Pistol), and As You Like It (Jaques), over the next ten years he performed in King Lear (The Fool), Richard II (John of Gaunt and The Gardener), Edward II (Archbishop Of Canterbury), Pericles (Pericles), The Merchant of Venice (Shylock), Antony and Cleopatra (Enobarbus), A Mad World my Masters (Master Shortrod Harebrain), A Chaste Maid In Cheapside, and Romeo and Juliet (Mercutio).
• Dexter continued with Hamlet (with music by Conrad Susa, 1969), Equus (one of his triumphs, 1973), Trevor Griffiths's The Party (Lord Olivier's final stage appearance, 1973), Phaedra Britannica (with his friend, Diana Rigg, 1975), The Merchant (aka, Shylock, 1977), As You Like It (with music by Harrison Birtwistle, 1979), Life of Galileo (with Sir Michael Gambon, 1980), The Glass Menagerie (with Jessica Tandy, 1983) and Julius Caesar (1988).
• In the court scene, Portia finds a technicality in the bond, as it does not allow for the removal of blood, thereby outwitting the Jewish moneylender Shylock and saving Antonio from giving the pound of flesh demanded when everyone else, including the Duke presiding as judge, fails.

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