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AIDA

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Esempi di utilizzo di AIDA in una frase

  • The composer was reluctant to write anything new after the success of Aida in 1871, and he retreated into retirement.
  • Bob Crowley has received multiple Tony Award nominations, and has won seven times, for designing the Broadway productions of Carousel (1994), Aida (2000), The History Boys (2006), Mary Poppins (2007), The Coast of Utopia (2007), Once (2012) and An American in Paris (2015).
  • He is best known for his collaborations with Andrew Lloyd Webber, with whom he wrote, among other shows, Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, and Evita; Chess (with Björn Ulvaeus and Benny Andersson of ABBA); Aida (with Elton John); and, for Disney, Aladdin (with Alan Menken), The Lion King (with John), both the stage adaptation of Beauty and the Beast and the live-action film adaption (with Menken).
  • Richard Mohr (producer), Erich Leinsdorf (conductor), Grace Bumbry, Plácido Domingo, Sherrill Milnes, Leontyne Price, Ruggero Raimondi, the John Aldis Choir & the London Symphony Orchestra for Verdi: Aida.
  • Georg Solti (conductor), Robert Merrill, Leontyne Price, Giorgio Tozzi, Jon Vickers, & the Rome Opera House Orchestra for Verdi: Aida.
  • Flemming's wife, Aida Flemming, founded the International Kindness Club for Children, a club to teach children to love and be kind to animals, and was active in a number of charities.
  • He continued to sing until 30 May 1959 (when he gave what was billed as his farewell concert at Vienna's Great Musikvereinssaal), singing arias from Turandot as Calàf, Aida as Radamès and Il trovatore as Manrico.
  • He spent his last months mostly in the care of his protégée Aida Yahchouchi and her husband, Joseph Wehbe.
  • Her repertoire there also included The Dyer's Wife in the Met's first performances of Die Frau ohne Schatten by Richard Strauss, then (in 1969) the Marschallin in Der Rosenkavalier, Klytemnestra in Elektra, Ortrud in Wagner's Lohengrin, Brangäne in Tristan und Isolde, Fricka in both Das Rheingold and Die Walküre, Waltraute in Götterdämmerung, Kundry in Parsifal, the title role in Beethoven's Fidelio, Didon in Les Troyens by Berlioz, Charlotte in Massenet's Werther, and Amneris in Verdi's Aida.
  • Although Otello was his best role, throughout his career, Del Monaco sang a number of other roles with great acclaim, for example: Canio in Pagliacci (Leoncavallo), Radames in Aida (Verdi), Don Jose in Carmen (Bizet), Chenier in Andrea Chénier (Giordano), Manrico in Il trovatore (Verdi), Samson in Samson and Delilah (Saint-Saëns), and Don Alvaro in La forza del destino (Verdi).
  • These included Plácido Domingo flying with no notice from New York City to San Francisco – albeit three hours after curtain time – to replace the ailing Carlo Cossutta on the opening night of Otello and the last-minute substitution by Leontyne Price for Margaret Price in the role of Aida.
  • He excelled in the newer dramatic parts of Radames in Aida, Samson in Samson et Dalila, Alim in Le roi de Lahore and John the Baptist in Hérodiade.
  • In the UK he has conducted Billy Budd, Andrea Chénier, Un ballo in maschera and Don Carlos for Royal Opera, Covent Garden, and Aida, Wozzeck, The Makropoulos Affair, and (in a co-production with Scottish Opera) the UK premières of Schnittke’s Life with an Idiot for English National Opera.
  • In 1999, Deutsche Seetouristik was acquired by British shipping company P&O, with the AIDA name being repurchased from NCL.
  • On the show, she is portrayed by Aida Turturro, and a young Janice appears in flashbacks portrayed by Madeline Blue and Juliet Fox.
  • Norman was Aida again in a concert version that same year in her first well-publicized American performance at the Hollywood Bowl for the venue's 50th anniversary celebration.
  • From the early 1970s into the 1980s, Freni sang heavier Verdi roles, including Elisabetta in John Dexter's production of Don Carlos, Desdemona in Otello (alongside Jon Vickers), Amelia in Simon Boccanegra, Elvira in the Luca Ronconi staging of Ernani, Leonora in La forza del destino, and the title role of Aida performed in the Houston Grand Opera in 1987.
  • Verrett's mezzo roles included Cassandra and Didon in Berlioz' Les Troyens, including its Met premiere, when she sang both roles in the same performance, Verdi's Ulrica in Un ballo in maschera, Amneris in Aida, Eboli in Don Carlo and Azucena in Il trovatore, Donizetti's Elisabetta I (written as a soprano role) in Maria Stuarda and Leonora in La favorita, Orfeo in Gluck's Orfeo ed Euridice, and Rossinis Neocles in L'assedio di Corinto and Sinaide in Moïse.
  • She and another El Rey de Los Taxistas co-star, Aida Pierce, would work together again in the telenovela Serafin.
  • In October 2002, Mestre died in an early attempt to break the 160 meters NLT (No Limit) free-diving AIDA International's world record that Tanya Streeter had established a few weeks before on August 17, 2002 (at that time this was both men and women's official AIDA record).


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