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APSES

5

Numero di lettere

5

È palindromo

No

8
AP
APS
ES
PS
PSE
SE
SES

45

50

81
AE
AES
AP
APE
APS
AS
ASE
ASP

Esempi di utilizzo di APSES in una frase

  • The crypt, however, has remained untouched, with its five small naves and small apses with cross-vault, ancient Roman spolia columns and frescoes of the 14th–15th centuries.
  • Soleri designed and built south-facing apses (partial domes) as passive energy collectors that collect light and heat in the lower winter sun, deflecting it and creating shade in the higher summer sun.
  • The apsidioles (apses on either side of the central apse), have groups of three arches instead of four, with each of the apses having one window each.
  • Between the four apses are three-quarter cylindrical niches, which are open to the central space, and the transition from the square central bay to the base of the dome's drum is effected through three rows of squinches, an architectural achievement of its time.
  • According to one source, in 1492–1497 Bramante worked on the crossing and the dome as well the transept apses and the coir with apse; this source also attributes a plan and section of the building to Bramante.
  • The entablature and arches are richly decorated, as intended by Paine, but the rest of his decorative scheme, which would have included coffering in the apses and dome and statues in the niches of the apses, was not carried out.
  • While civic basilicas had apses at either end, the Christian basilica usually had a single apse where the bishop and presbyters sat in a dais behind the altar.
  • It contains a domed space at the center of a Greek cross, formed by three coffered half-domed apses with oculi that supplement the subdued natural light entering through the skylight of the main dome.
  • The church was built on a triconch plan (with three apses), with a chancel, a naos with its tower, and a pronaos.
  • The new church, with a basilical layout consisting of a transept and three naves ending in apses, constructed of stone, owed much stylistically to the Cathedral of Jaca, from which it took various elements.
  • During the reign of Justin II (565–574), owing to a change in the liturgy, the diaconicon and prothesis came to be located in separate apses at the east end of the sanctuary.
  • Often mistakenly likened to the slightly more flamboyant Greek Revival architecture, the style confines most ornament to the interior of the house, leaving the symmetrical exterior almost unadorned and chaste, relying only on window and door apertures and shallow recesses and apses and the occasional pilaster to relieve the austerity of the facade; at Arlington, this is seen in the shallow twin pilasters terminating the two principal façades, the lack of either aprons or pediments to the windows and, in place of the near conventional classical entrance portico of the era, is a single-story, semi-circular pillared porch.
  • The facade decoration includes low pilasters, engaged colonettes on the conches and apses, as well as a frieze of small blind arcades on brackets running below the roof cornice.
  • The three apses in the east adjoin directly on the naos, instead of being separated by an additional bay, as was usual in contemporary Byzantine architecture in the Balkans and Asia Minor.
  • Three apses in front of the chapel's colonnade contain the monuments of the city's archbishops, in order that of Vicente Arbeláez in Renaissance style, that of Manuel José Mosquera in wood and Gothic style, and that of José Telésforo Paul in Florentine Gothic style.
  • The large promoter and sponsor of this art in Catalonia was Oliva, monk and abbot of the monastery of Ripoll who, in 1032, ordered the extension of the body of this building with a façade with two towers, plus a transept which included seven apses, all decorated on the outside with the Lombardic ornamentation of blind arches and vertical strips.
  • The southern temple is oriented astronomically aligned with the rising sun during solstices and equinoxes; during the summer solstice the first rays of sunlight light up the edge of a decorated megalith between the first apses, while during the winter solstice the same effect occurs on a megalith in the opposite apse.
  • Two pillars aligned with the points where the side apses merges into the main apse divide the altar into a prothesis and a diaconicon.
  • The Red Monastery and White Monastery at Sohag, representative of the 5th century, have rectangular basilical layouts culminating in a more sophisticated triconch sanctuary, surrounded by three semi-circular apses with decorative niches.
  • High niches, semi-circular in the plan, framed with graceful arcatures on twin half-columns, which decorate the bottom of the altar apses, harmoniously fit in with the pillars.
  • This edifice has three high apses: the central one is polygonal, and is flanked by the other two, which served as pastophoria: prothesis and diakonikon.
  • An apsidole or absidiale is a small or secondary apse, one of the apses on either side of the main apse in a triapsidal church, or one of the apse-chapels when they project on the exterior of the church, particularly if the projection resembles an apse in shape.
  • Grimm reused a cross-shaped pattern invented by Roman Kuzmin, with four symmetrical apses tightly blended into the main volume (unlike the Hagia Sophia prototype with only two principal apses); however, his version was extended vertically, radically departing from the flattened shapes of early Byzantine temples.
  • The dome tholobate rests on the three rows of tromps, transitioned to the four apses of the tetraconch.
  • They were commonly stone-built basilicas with three naves, three apses, columns, arches, arcades and wooden roofs, and were erected near the monasteries of Benedictine monks who came out of Italy.



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