Synonymer & Informasjon om | Engelsk ordet AMATERASU


AMATERASU

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Eksempler på bruk av AMATERASU i en setning

  • This legendary narrative tells how he set up a new shrine outside of the Imperial palace to enshrine Amaterasu.
  • This legendary narrative tells how he ordered his daughter Yamatohime-no-mikoto to establish a new permanent shrine for Amaterasu (the Sun Goddess), which eventually became known as the Ise Grand Shrine.
  • Notably, Amaterasu in Amaterasu Ōmikami is not technically a name the same way Susanoo in Susa no O no Mikoto or Ōkuninushi in Ōkuninushi no Kami are.
  • The sun plays an important role in Japanese mythology and religion, as the Emperor is said to be the direct descendant of the Shinto sun goddess Amaterasu, and the legitimacy of the ruling house rested on this divine appointment.
  • The younger brother of Amaterasu, goddess of the sun and mythical ancestress of the Japanese imperial line, he is a multifaceted deity with contradictory characteristics (both good and bad), being portrayed in various stories either as a wild, impetuous god associated with the sea and storms, as a heroic figure who killed a monstrous serpent, or as a local deity linked with the harvest and agriculture.
  • According to the popular Western view, promoted by the Supreme Commander of the Allied Powers, the rescript challenged the centuries-old claim that the Japanese emperor and his predecessors were descendants of the sun goddess Amaterasu, and thus the Emperor had now publicly admitted that he was not a living god.
  • In both versions of the Orochi myth, the Shinto storm god Susanoo (or "Susa-no-O") is expelled from Heaven for tricking his sister Amaterasu, the sun goddess.
  • Some experts theorize that Sarutahiko was a sun god worshiped in the Ise region prior to the popularization of Amaterasu.
  • Izanagi and Izanami are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi, and the storm god Susanoo.
  • Further, this is also supported by other traditions claiming that the first kagura was danced by a shamaness who was a kami herself, Ame-no-Uzume, through luring (invoking the presence of) Amaterasu, thereby reenacting the intentions of the kagura as an act of communication to other deities.
  • Izanagi followed her there and upon his return he washed himself, creating Amaterasu, Susanoo, and Tsukuyomi-no-Mikoto in the process.
  • Matsumoto theorizes that Amaterasu was feminized in the Kojiki and Nihon Shoki to provide a justification for the reign of Empress Suiko who reigned just before those documents were written.
  • Jean Herbert explains that, according to the Japanese tradition, the figure of the emperor would be "the extension in time" of the goddess Amaterasu and the previous emperors, representing a naka ima (中今?).
  • He spent seven days and nights reciting sutras until the oracle declared Vairocana Buddha compatible with worship of the sun goddess Amaterasu.
  • Izanami and Izanagi are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo.
  • The story takes place in a cluster of four major planetary systems, and centers around Amaterasu, the immortal emperor of the Grees Kingdom who is destined to rule the whole Joker System, as well as his bride Lachesis.
  • When the sun goddess Amaterasu and the primordial god Takamimusubi, the rulers of the heavenly realm of Takamagahara, decreed that the earth below (Ashihara-no-Nakatsukuni) should be ruled over by Amaterasu's progeny, they dispatched a series of messengers to its ruler, Ōkuninushi, to command him to cede supremacy over the land.
  • In Ōkami, Amaterasu uses three types of divine instruments based on the three sacred treasures: Reflectors (the mirror), Rosaries (the jewels), and Glaives (the sword).
  • In the myth about Amaterasu and the cave she hid in, after Susanoo's tantrum, when the Yata no Kagami was forged and propped-up in front of Amaterasu's cave, it was said to have been perched-upon the branches of a sacred, 500-branched Sakaki tree facing the cave.
  • Motoori Norinaga, and later Hirata Atsutane, based their research on the Kojiki and other classic Shintō texts which teach the superiority of the Sun Goddess Amaterasu.
  • Another version of the myth features Ōgetsu-hime by her more common name, Ukemochi, and in this version, the moon god Tsukuyomi visits her on behalf of his sister-wife, the sun goddess Amaterasu.
  • It was one of three shrines established at this time; the others are Hirota Shrine, dedicated to Amaterasu, and Nagata Shrine, dedicated to Kotoshiro-nushi (also known as Ebisu).
  • According to legend, Amaterasu, Goddess of the Sun, and arguably the most important kami in Shinto, spoke to the Empress and declared that she and the other gods of Japan must be enshrined in Hirota, Nagata, Ikuta, and Sumiyoshi.
  • In describing this event, Japanese sources say Nitta Yoshisada prayed to a sea-god or Ryūjin; English sources almost always refer to Sun Goddess Amaterasu.
  • Amaterasu is eventually coaxed out of her cave by the goddess Ame-no-Uzume, who performs a dance outside the cave, to music provided by the twanging of six hunting bows.



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