Anagrammen & Informatie over | Engels woord CANTE

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Voorbeelden van het gebruik van CANTE in een zin

• He was the son of Nolfo da Montefeltro and his wife, Margherita Gabrielli, daughter of Italian nobleman and condottiero Cante dei Gabrielli.
• It was from Pedrell, during the Madrid period, that Falla became interested in the music of his native Andalusia, particularly Andalusian flamenco (specifically cante jondo), the influence of which can be strongly felt in many of his works.
• In creating the term, Rothenberg was inspired by the Spanish cante jondo ("deep song"), especially the work of Federico García Lorca and by the symbolist theory of correspondences.
• Further proof can be established from the descending melody that is performed on the vowel 'a' at the end of each couplet and to close the "cante" (Spanish for song or singing), which in a certain way tends to imitate the Galician melos.
• Sung fandango usually follows the structure of "cante" that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios).
• "Grândola, Vila Morena" is an a cappella song, sung in the style of cante alentejano, which tells about the fraternity among the people of Grândola, a town in the Alentejo region of Portugal.
• Dante took vengeance on Cante by giving the allusive name of Rubicante to the furious devil that Dante himself encounters in the Divine Comedy, in the bolgia of barratry (cantos XXI and XXII).
• The illustrious Falla, who studied the question attentively, affirms that the gypsy siguiriya is the song type of the group cante jondo and declares that it is the only song on our continent that has been conserved in its pure form, because of its composition and its style and the qualities it has in itself, the primitive songs of the oriental people.
• The song was written and produced by West, with additional songwriting from John Legend, Miri Ben-Ari, Sumeke Rainey, and Bosko Cante.
• Wahacanka Sapa (Black Shield); Mato Luta (Red Bear); Edwin Phelps Aknan Iyanke (Runs on It); Mato Hotanka (Loud Voice Bear); Rlaya Wakua (Chase Rattling); Winkta Yuza (Married to Hermaphrodite); Cante Witko (Fool Heart); Pte San Waste Win (Pretty Grey Cow); Tatanka He Ksa (Broken Horn Bull).
• The father of such a movement, Blas Infante, in his book Orígenes de lo flamenco y secreto del cante jondo, etymologically, went as far as alleging that the word flamenco derives from Andalusian Arabic fellah mengu, supposedly meaning "escapee peasant".
• Often conjuring comparisons to the soulful world music genres of cante jonde, morna and fado, Pérez' body of music has been characterized as folk opera ("opera of the people") that honors her jíbara (Puerto Rican mountain) roots and the legacy of Spanish/pan-Latin American nueva trova or nueva cancion.
• This chapel of Cante Perdrix, one of the oldest priories in Provence dedicated to La Magdaleine, became the place of worship of a guild of ferrymen on the Durance.
• The great revolution of the malagueña guitar playing came together with its transformation into a "cante libre": flamenco virtuosos like Ramón Montoya started introducing classical guitar techniques like arpeggio, scales, tremolo, and enriched it with a wider variety of chord positions.
• Cante Grande group: includes bulería por soleá, cabales, caña, carcelera, corríos, debla, liviana, martinete, playera, polo, pregones, saeta (flamenco), serranas, siguiriyas, soléa (soleares) and toña.
• In 1960, at the time of reappraisal of traditional cante, the polo natural was recorded by Jacinto Almadén (also known as "El Niño de Almadén"), in the Antología del cante flamenco compiled by guitarist Perico el del Lunar and flamencologist Tomás Andrade de Silva.
• In 1982, some of his recordings were chosen by flamencologist José Blas Vega to take part in the flamenco anthology Magna Antología del Cante (a complete collection of traditional styles of cante) to illustrate songs such as the tarantas from Almería, several types of cartageneras, the fandangos by Frasquito Yerbabuena, and all the malagueñas and granaínas created by Antonio Chacón.
• Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab Zyriab song form, the classical Andalusian orchestras of the Islamic Empire, the Jewish synagogue chants, Mozarabic forms such as zarchyas and zambra, Arabic zayal (the foundation for the Fandango), and Andalusian regional folk forms, as well as West African and South American influences as seen in the cantes de ida y vuelta.
• Popular shows during the 1970s included variety shows Música en Libertad, Alta Tensión and Grandes Valores del Tango, sketch comedies like La Tuerca, Hiperhumor and El Chupete, competition shows Si lo Sabe Cante and Yo Me Quiero Casar, ¿y Usted? and telenovelas Rolando Rivas, Taxista, Pobre Diabla, Dos a Quererse and Piel Naranja, in which several actors and actresses like Arnaldo André, Claudio García Satur, Claudio Levrino, María de los Ángeles Medrano, Arturo Puig, Soledad Silveyra and Beatriz Taibo became famous.
• To promote the Concurso Falla wrote an essay, El "cante jondo" (canto primitivo andaluz), in which he held on technical grounds that the primary foreign influences contributing to the origins of Flamenco music and dance in Spain were three: Byzantine church music coming from the eastern Mediterranean; Moorish music from North Africa and Arabia; and especially the folk music of India, its distinctive rhythms and tone, brought by Gitanos who began arriving in Spain five hundred years ago.
• Along this line, in 1874 Giosuè Carducci addressed a sonnet to Cante de' Gabrielli, acknowledging his role as the main responsible for Dante's inspiration (A Messer Cante Gabrielli da Gubbio, Podestà di Firenze nel MCCCI).
• Patricia skipped school classes one day to attend the music competition TV program "Si lo sabe cante", where she sang the song "El extraño de pelo largo" of La Joven Guardia.
• Apart from his two solo albums, he has contributed to a number of flamenco compilation albums: Cante Gitano, Directo Desde Casa Patas, Esencias Flamencas and Lo Mejor Que Tengo.
• It was produced by Chilean producer Humberto Gatica, and released on May 4, one week before another charity single for the event, "Que Cante la Vida", performed by various artists too including Alex Ubago, Belinda, Carlos Baute, Aleks Syntek, Luis Fonsi, among others.
• This success allowed him to sign with Sony Music, so supporting the upcoming albums of Joe Arroyo: Toque de Clase (1991), Fuego (1993), Sus Razones Tendrá (1995), Mi Libertad (1996), Reinando en Vida (1997), Deja Que Te Cante (1998), Cruzando el Milenio (1999), En Sol Mayor (2000) and his last album on the Sony Music label Marcando Terreno (2001).

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