Anagrammen & Informatie over | Engels woord SERAIL

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Voorbeelden van het gebruik van SERAIL in een zin

• She subsequently expanded her repertory to include roles such as Oscar in Verdi's Un ballo in maschera, Gilda in Rigoletto, and Blonde in Mozart's Die Entführung aus dem Serail and began appearing in productions throughout Europe.
• An early assignment here was Mozart's Die Entführung aus dem Serail, with a cast which included Maria Ivogün, Paul Bender, and Richard Tauber.
• Its theme song uses the melody from the chorus "Singt dem großen Bassa Lieder" ("Sing Songs of the Great Pasha") from Mozart's opera Die Entführung aus dem Serail (The Abduction from the Seraglio).
• There he conducted performances of Mozart's The Magic Flute, Die Entführung aus dem Serail, Così fan tutte, and The Marriage of Figaro, earning himself a reputation as an interpreter of Mozart's work.
• A seraglio, serail, seray or saray (from , via Turkish, Italian and French) is a castle, palace or government building which was considered to have particular administrative importance in various parts of the former Ottoman Empire.
• Nixon's opera repertory included Zerbinetta in Ariadne auf Naxos, Susanna in The Marriage of Figaro, both Blonde and Konstanze in Die Entführung aus dem Serail, Violetta in La traviata, the title role in La Périchole and Philine in Mignon.
• Vincent Canby of The New York Times praised Jones's performance, citing the film's most memorable line, when the Emperor complains of Die Entführung aus dem Serail that "there are too many notes".
• In 1781, shortly after Mozart had moved to Vienna, Van Swieten met him again: at the salon of Countess Thun, Mozart played extracts from his recent opera Idomeneo, with Van Swieten and other important officials in the audience; this event helped instigate Mozart's commission for the opera Die Entführung aus dem Serail, his first great success as a composer.
• Saray, or seray (also spelt saraya or seraya), is a Turkish word from , traditionally translated as serail or seraglio via Italian influence.
• He was based in France at this time, and began an association with the Aix-en-Provence Festival in 1954, starting with Belmonte in Die Entführung aus dem Serail and Vincent in Mireille, then Orphée in Orphée et Eurydice, Thespis and Mercure in Platée, and Ferrando in Così fan tutte;.
• She remained committed to the NYCO through 1960, where her roles included Alice Ford in Verdi's Falstaff, Antonia in Offenbach's The Tales of Hoffmann, Countess Almaviva, Cressida in Troilus and Cressida, Fiordiligi in Mozart's Così fan tutte, Frau Fluth in Nicolai's The Merry Wives of Windsor, Katharina in Vittorio Giannini's The Taming of the Shrew, Konstanze in Mozart's Die Entführung aus dem Serail, Mélisande in Debussy's Pelléas et Mélisande, Norina in Donizetti's Don Pasquale, Rosalinde in Die Fledermaus by Johann Strauss, and the title roles in Verdi's La traviata and in Salome by Richard Strauss.
• Simoneau also sang the role of Belmonte in Sir Thomas Beecham's recording of Mozart's Die Entführung aus dem Serail, and the role of Ferrando in Mozart's Così fan tutte opposite Elisabeth Schwarzkopf, Nan Merriman, Rolando Panerai, Lisa Otto, Sesto Bruscantini, conducted by Herbert von Karajan, both considered classics.
• There she was responsible for the musical direction of numerous productions, notably Pelléas et Mélisande, Il Barbiere di Siviglia, La Cenerentola, Die Entführung aus dem Serail, La Finta Giardiniera, Roméo et Juliette by Berlioz, L'Orfeo by Monteverdi, Les Brigands by Offenbach, L'Heure espagnole and L'Enfant et les Sortilèges by Ravel, Haydn's Il Mondo della luna, Gluck's Iphigénie en Tauride, The Rape of Lucretia by Britten and Le Chapeau de paille d'Italie by Nina Rota, whilst La Station Thermale (recorded by Ricordi) and Les Oiseaux de Passage by Fabio Vacchi and Dédale by Hugues Dufourt (recorded on CD by MFA/Radio France) are among her world creations.
• According to Steinberg, and Ledbetter, this "Presto" movement not only bears a similar atmosphere to the overture to Le nozze di Figaro, but also provides a reminiscence of Osmin's comic aria "O wie will ich triumphieren" from Die Entführung aus dem Serail.
• He has recorded Flute (Britten's A Midsummer Night's Dream) with Sir Colin Davis for Philips Classics; Belmonte (Die Entführung aus dem Serail) with William Christie for Erato; Tom Rakewell (The Rake's Progress) under John Eliot Gardiner for Deutsche Grammophon (Grammy Award); and Captain Vere (Billy Budd) (Grammy Award) with Daniel Harding.
• 2007: Spring: Die Entführung aus dem Serail (The Seraglio) by Mozart with Sion Goronwy as Osmin and Elizabeth Donovan as Constanza; and Spirit of Vienna (Wiener Blut) by Johann Strauss with Cheryl Enever as Franziska (Franzi) Cagliari and Nicky Spence as Count Balduin Zedlau.
• File:James Robertson und Felice Beato, Porte imperial de l’ancien Serail (Brunnen von Ahmed III), um 1854.
• They are also entrusted with guarding important public buildings in Beirut such as the Parliament House at Nejmeh Square and the nearby Grand Serail, an Ottoman-era palatial complex which houses the Prime-Minister and the Council of Ministers' offices, and the Presidential Palace itself.
• Some of his most celebrated roles were Wagnerian villains such as Hunding and Hagen in Der Ring des Nibelungen, but others were noble characters like Sarastro in The Magic Flute or Gurnemanz in Parsifal or comic figures such as Osmin in Die Entführung aus dem Serail or Falstaff in The Merry Wives of Windsor.
• Having favoured light and high-register lyric parts in the beginning of her career, by the mid-1960s she changed to roles with a stronger dramatic emphasis, including Konstanze in Mozart's Die Entführung aus dem Serail (for example 1965 with Fritz Wunderlich in the now legendary Salzburg Festival production staged by Giorgio Strehler and designed by Luciano Damiani), Fiordiligi in Così fan tutte, Zdenka in Richard Strauss's Arabella, Marie in Berg's Wozzeck, Soeur Constance in Poulenc's Dialogues of the Carmelites, and Violetta in La traviata on stage.

Paginavoorbereiding duurde: 186,45 ms.