Sinônimos & Anagramas | Palavra Inglês RAAG

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Exemplos de uso de RAAG em uma frase

• Nevertheless, a concert with a solo sarangi as the main item will sometimes include a full-scale raag presentation with an extensive alap (the unmeasured improvisatory development of the raga) in increasing intensity (alap to jor to jhala) and several compositions in increasing tempo called bandish.
• She sings mainly ghazals, thumri, khyal, qawwali, raga (raag), Sufi rock, classical and semi-classical music, and her speciality, kafi, a solo genre accompanied by percussion and harmonium, using a repertoire of songs by Sufi poets.
• So they asked Tansen instead to come to their home if he would want to subside the effect of raag deepak; which he agreed to.
• Other works included Mrichakatikam, Raja Agnivarna ka Pair, Agnileek, Veini Samhaar, Dashkumar Charitham, Sharvilk, Pancharathram, Andha Yug, Khel Guru Ka, Jo Ram Rachi Raakha, Aranyadhipathi Tantyamaama, Zindagi aur Zyonk, Vatan ka Raag, and Saudagar.
• The festival officially concludes with the entire audience and remaining performers listening to the Thumri in Raag Bhairavi recording "Jamuna Ke Teer" by Sawai Gandharva, a tune made famous by and signature of his guru, Abdul Karim Khan.
• Bhide-Deshpande has an understanding of Bandish and bandish-composition and has created many of her own bandishes, which she has published in her book, Raag Rachananjali (2004).
• Few of the many Haveli sangeet dhrupads which he made into bandishes were the famous Raag Nayaki Kanada Bandish "Mero Piya Rasiya" and Bihagda Bandish "Ae Pyaari pag hole".
• Based on Girish Rastogi's adaptation of Raag Darbari, Bahroop Arts Group staged "Ranganath Ki Waapsi", directed by Rajesh Singh (alumnus of National School of Drama) on 18 November 2009, at Alliance Française de New Delhi.
• Shri Sant Namdev Maharaj's bhajans, note Callewaert and Lath, deployed particular species of Raag, used Bhanita (or Chhap, a stamp of the composer's name inside the poem, in his case Nama), applied a Tek (or dhruva, repeated refrain) and a meter than helps harmonise the wording with the musical instrument, all according to Sangita manuals refined from the 8th to 13th centuries.
• Rose's first three consecutive releases on Eclipse Records—Red Horse, White Mule (2002), Opium Musick (2003), and Raag Manifestos (2004)—were met with praise by critics and contemporaries alike.
• Like Dhrupad, the Sopori Baaj places much emphasis on the Raag Alaap (the elaboration of a Raga without percussion), using a heavier pair of kalam to enhance the sustain of a single note.
• Composed in Miyan Ki Malhar raag, the song showcased her classical prowess and subsequently fetching her many laurels and awards including the Tansen Samman (for best classical-based song in a Hindi film), the Lions International Best Promising Singer award, the All India Cinegoers Association award, and the All India Film-goers Association award for the Best Playback Singer in 1971.
• Siri Raag is serious and thought-provoking in its nature and creates an atmosphere where the listener is led to heed the advice given therein.
• This Raag encourages the mind to brush away its selfishness, just like spring-cleaning removes all the cobwebs and creates a fresh start.
• The legends in the books preserved in Jai Vilas Palace in Gwalior state that Baiju Bawra could light oil lamps by singing Raag Deepak; make it rain by singing the raags Megh, Megh Malhar, or Gaud Malhar; and bloom flowers by singing raga Bahar.
• Rishabh and Dhaivat are komal or flat in Raag Puriya Dhanashree wheres the Madhyam is teevra or sharp.
• Yaman's Jati is a Sampurna raga (ideally, yaman is audav sampoorna raag because of the structure- N,RGmDNR'S' NDPmGRS) and in some cases Shadav; the ascending Aaroha scale and the descending style of the avroha includes all seven notes in the octave (When it is audav, the Aroha goes like N,RGmDNS', where the fifth note is omitted; Pa but the Avaroha is the same complete octave).
• They have presented their own take on Raag Charukeshi, Raag Basant Mukhari, Raag Multani and Raag Bhairon as Facebook live sessions with many more collaborations in the pipeline.
• He has written over 25 books, including Raag Darbari, Makaan, Sooni Ghaati Ka Sooraj, Pehla Padaav and Bisrampur Ka Sant.
• The film's music was composed by Vipin Patwa, Arko Pravo Mukherjee, Sandesh Shandilya, Anupama Raag and Shamir Tandon while lyrics written by Dr.
• Saigal had sung the song "Diya Jalao" in the Deepak raag, "Kahe Gumaan Kare Re Gori" in Gaara raag and "Baag Laga Dun Sajani" in the Megh Malhar raag.
• Between 1963 and 1988, he practised singing with Abdul Shakoor Khan of Kirana gharana, and explored the intricacies of only one raag, the Darbari.

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