Sinônimos & Anagramas | Palavra Inglês RAVEL

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Exemplos de uso de RAVEL em uma frase

• Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal.
• She became celebrated for her performance of Ravel's song cycle Shéhérazade (Ravel) and gave the premières of his Histoires naturelles (of which she was the dedicatee) and of his Chansons madécasses.
• The orchestra has also hosted many distinguished guest conductors, including Thomas Beecham, Leonard Bernstein, Aaron Copland, Edward Elgar, Morton Gould, Paul Hindemith, Erich Kunzel, Erich Leinsdorf, Charles Munch, Eugene Ormandy, André Previn, Sergei Prokofiev, Sergei Rachmaninoff, Maurice Ravel, Arnold Schoenberg, Leonard Slatkin, Leopold Stokowski, James Levine, Richard Strauss, George Szell, Klaus Tennstedt, Michael Tilson Thomas, Bruno Walter, and John Williams.
• In his brief time at the college, he got to know the music of the Second Viennese School and the repertory of Diaghilev's Ballets Russes, with music by modern composers such as Debussy, Ravel and Stravinsky.
• Maurice Ravel - Daphnis et Chloé premieres at the Théâtre du Châtelet in Paris by his Ballets Russes.
• Édouard Manet, Edgar Degas, Ernest Chausson, and Maurice Ravel attempted the Prix de Rome but did not gain recognition.
• May 27 – Maurice Ravel conducts the first public performance of his 1898 Shéhérazade, ouverture de féerie at a concert of the Société Nationale de Musique in Paris; it receives a critical reception and is not published in his lifetime.
• Pierre Boulez (conductor), the Camarata Singers & the New York Philharmonic for Ravel: Daphnis et Chloé (Complete Ballet).
• All of these scales were commonly used by late nineteenth and early twentieth-century composers such as Rimsky-Korsakov, Debussy, Ravel and Stravinsky, often in ways that directly anticipate jazz practice.
• Gieseking was renowned for his subtle touch, pedaling, and dynamic control—particularly in the music of Debussy and Ravel; he made integral recordings of all their published works which were extant during his life.
• Daphnis et Chloé is a 1912 symphonie chorégraphique, or choreographic symphony, for orchestra and wordless chorus by Maurice Ravel.
• The work's creation was set in motion by a commission from the dancer Ida Rubinstein, who asked Ravel for an orchestral transcription of six pieces from Isaac Albéniz's set of piano pieces, Iberia.
• Abstract and cubist patterns appeared on these shapes, such as the 1929 Ravel (seen on Cliff's Conical shape ware), which was an abstract leaf and flower pattern named after the composer.
• Among his best-known recordings are the concerti of Grieg and Schumann with Herbert von Karajan; the Brahms concerti with Leonard Bernstein; the piano concerti of Chopin, one recording conducted by Carlo Maria Giulini and a later one conducted by himself at the keyboard; the Third, Fourth and Fifth Piano Concertos of Beethoven under Bernstein (Zimerman himself led the Vienna Philharmonic from the keyboard in Beethoven's First and Second Concertos); the first and second piano concerti of Rachmaninoff; the piano concerti of Liszt with Seiji Ozawa, the piano concerti of Ravel with Pierre Boulez, and solo piano works by Chopin, Liszt (including one of the most virtuosic performances of the famous Piano Sonata in B minor), Debussy and Schubert.
• Like his countryman and friend, Manuel de Falla, while in Paris he familiarized himself with the impressionist composers Maurice Ravel and Claude Debussy, whose music had a profound influence on his compositional practice.
• The conductor and founder of the Portuguese Radio Symphony Orchestra was the great Portuguese conductor Pedro de Freitas Branco, a friend of Maurice Ravel, Manuel de Falla, and former director of the Orchestre Lamoureux.
• Lenepveu had been expected to succeed Dubois as director, but after the "Affaire Ravel" in 1905, Ravel's teacher Gabriel Fauré became director.
• The quartet won admiration for its recordings of the quartets of Debussy and Ravel, and, with pianist Pascal Rogé, of the quintets of Fauré.
• Its popularity waning in the late eighteenth century, the oboe d'amore fell into disuse for about 100 years until composers such as Richard Strauss (Symphonia Domestica, where the instrument represents the child), Claude Debussy (Gigues, where the oboe d'amore has a long solo passage), Maurice Ravel, Frederick Delius, and others began using it once again in the early years of the twentieth century.
• Though he had other teachers before Rothschild, she was his first to make a lasting impression: she inaugurated his life-long enthusiasm for French music and culture, especially Impressionists such as Claude Debussy and Maurice Ravel.
• In his later years as principal, Mackenzie became markedly conservative, forbidding his students to play the chamber music of Ravel, which he stigmatised as "a pernicious influence".
• He has since released several recordings, including works of Maurice Ravel, Sergei Rachmaninoff, Jean-Philippe Rameau, John Adams, Igor Stravinsky, and Alexander Scriabin, as well as a recording of Rhapsody in Blue with the Royal Philharmonic Orchestra.
• She danced to the compositions of Manuel de Falla, Joaquín Turina, Isaac Albéniz, Enrique Granados and Maurice Ravel.
• However, by no means are all sonatinas technically undemanding, for example the virtuoso sonatinas of Busoni and Alkan, and the Sonatine of Ravel, whose title reflects its neo-classical quality.
• Berkeley's contact and friendship with composers such as Ravel and Poulenc and his studies in Paris with Boulanger lend his music a 'French' quality, demonstrated by its "emphasis on melody, the lucid textures and a conciseness of expression".

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